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Find out what's happening in the art capital of the US.
Issue 18, Page 22The Northwest can claim a rich diversity of artistic styles.
Issue 20, Page 34Find out what's happening through the eyes of four Southern artists.
Issue 19, Page 20America's top artists tell what's hot and what's not.
Issue 17, Page 24Liquid frisket and poured watercolors help Barbara Pease explore the full extent of her creativity
Issue 71, Page 66Have you chosen the right medium for your creative expression?
Issue 48, Page 66Harley Brown’s fascinating things no one else will tell you
Issue 148, Page 124 Read ArticleExperience and preparation have helped David Poxon learn to wield the results of his watercolours
Issue 92, Page 120Harley Brown’s fascinating things no one else will tell you
Issue 157, Page 122 Read ArticleBrad Kunkle experiments with gold and silver leaf to give his oils a surreal quality
Issue 73, Page 46Skillfully executing still lifes allows Blair Atherholt to elevate the objects depicted to new levels
Issue 134, Page 60This artist sets himself up hours in advance and waits for exactly the right moment to capture the drama of his subjects.
Issue 49, Page 44Building the path to successful gallery exhibitions
Issue 108, Page 31Issue 22, Page 16
Issue 21, Page 18
Issue 22, Page 62
A watercolor master emphasizes the difference between transparent and opaque colors
Issue 7, Page 144Working with a variety of materials, Steve Baylis allows instinct to guide him in his abstract art
Issue 147, Page 104 Read ArticleInsights on how to monetize your online presence
Issue 105, Page 128How to find the ideal market for specialized projects
Issue 121, Page 25An inexpensive way to add value
Issue 70, Page 1A professional artist is not merely a painter-- that is an artist.
Issue 132, Page 20How to earn extra income through artwork copyrights.
Issue 98, Page 131Ask your clients for the sale by following these simple strategies
Issue 109, Page 31Insights on identifying, growing and promoting your brand
Issue 112, Page 25A look at popular views of art and how to formulate your own path
Issue 111, Page 28Strategies for marketing your artwork to current and new collectors
Issue 118, Page 26Engage audiences through focused channels of communication
Issue 100, Page 126How to keep collectors interested in your services
Issue 113, Page 31Understanding this, and other art market statistics, can lead to greater success
Issue 106, Page 26We continue our last article with additional information on sales, pricing and finding new prospects who are interested in your work
Issue 117, Page 20Stay up to date on your art's value to increase buyer interest
Issue 99, Page 131Identifying the pathway to a successful and thriving art career.
Issue 107, Page 24Market your art to meet long-term career goals
Issue 110, Page 31How asking collectors questions can help you succeed in closing sales
Issue 119, Page 24The pros and cons of creating prints of your artwork
Issue 114, Page 128An artist shares his experiences with creating a sellout exhibition
Issue 122, Page 27Breaking down the reasons why you should exhibit your work
Issue 116, Page 18Methods to creating a strong brand for yourself and your artwork
Issue 102, Page 126The ins and outs of reproducing prints from your art
Issue 120, Page 25