Past Issue

Utilizing Plein Air References

Sketches and photos from working on location aid Mostafa Keyahni in larger studio pieces

Careful Planning

Prior to starting a new painting, Jette van der Lende thoroughly thinks out her composition

Using a Line Drawing for Composition

Lines help guide Miranda Woollett throughout her painting process

Finding the Ideal Subject

Warren Chang demonstrates his latest fieldworker painting, Lettuce Harvest

Reflections and Refractions

The still lifes of Marsha Chandler often contain shiny or glass objects that allow for a play of light and shapes

Painting Layer by Layer

Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method

Integrating Collage in Watercolours

John Lovett explains how to add dimension and texture to watercolour paintings

Capturing Atmosphere

Wim Verhelst concentrates on shapes, values, color temperature, texture and edges to achieve the ideal atmosphere for his paintings

Chairman's Letter

Master Showcase

Mary Whyte: Unseen Faces

Dominic Avant

An oil painting demonstration

Professional Artist: A Call to Action

Ask your clients for the sale by following these simple strategies

Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Discovering Art: The Making of an Artist Part 65

Angular Transfer & Via Garibaldi, Venice

Important Principles of Art:

Harley Brown's fascinating things no one else will tell you