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There are three stages of understanding on the journey to great art.
Issue 13, Page 130A master painter of landscapes takes on the challenge of painting fragile figures in watercolor.
Issue 50, Page 144John Lovett explains his methods for balancing a composition
Issue 130, Page 136A strong focal point, accurate color matching and simplified shapes bring Marco Grasso’s subjects to life
Issue 160, Page 78 Read Article Visit Gallery WebsiteThe overlooked details of the natural world inspire Rukiye Garip's paintings
Issue 132, Page 100The watercolor paintings of Heidi Williams display all the intricate forms, shapes and colors of the natural world
Issue 111, Page 84After 50 years drawing on site around the world, David Butt shares his experiences using a 12-step process
Issue 107, Page 54Brandy Kraft's interest in nature inspired her to create her own hybrid species of flowers.
Issue 124, Page 84Understanding hue, chroma and value allows Veronica Winters to draw and paint expressive works of art
Issue 120, Page 54Through artistic techniques, Tomislav Kosta has found a balance between impressionism and realism
Issue 102, Page 92This artist shows how he uses his mind to help memorize and develop the picture.
Issue 12, Page 48Issue 50, Page 124
Thomas W. Schaller expresses the unique choreography between buildings and where they are placed in the landscape
Issue 81, Page 68Share the passion for painting outdoors with this dedicated plein air artist.
Issue 52, Page 142Issue 73, Page 135
Making each subject look different was an interesting challenge for Kathleen Maling when she embarked on painting a series on alligators
Issue 90, Page 60New Zealand artist Richard Robinson demonstrates how to use photo-editing software and shares examples of his own paintings
Issue 125, Page 136Sasha Sokolova's dynamic compositions develop through intuition by letter her brushstrokes take the lead
Issue 126, Page 74Ann Trusty shares tips on capturing the tone, details and complexity of her fleeting floral subject matter
Issue 104, Page 66Purley by chance this artist discovered a new world of subject matter and knew immediately realised he was on to something big!
Issue 2, Page 50The Making of an Artist Part 58 Brushwork and Atmospheric Perspective & Outdoor Kitchen
Issue 102, Page 138The Making of an Artist Part 60 Contrast of Temperature & Autumn Vineyard
Issue 104, Page 138Texture & Mauritius After the Storm
Issue 114, Page 138Perspective Brushwork and First Light in St. Mark's Square, Venice
Issue 94, Page 138Saturation Changes in Shadows and Evening Sentinels.
Issue 95, Page 138Simulation of Detail and Pianello Spring
Issue 97, Page 138Exaggerating Color Spots & Moran Point
Issue 99, Page 138Point, Line & Mass and Night Vendor
Issue 100, Page 138Mass Gesture & Caochangdi at Night
Issue 101, Page 138Model the Form with Color & Knysna Lagoon
Issue 103, Page 138Thin Darks and Thick Lights & Just Grandma and Me
Issue 105, Page 138Limited Value Studies & Yellow Fields
Issue 107, Page 138Mixing Vivid Colors Using Bases & Garrapata Surf
Issue 108, Page 138Angular Transfer & Via Garibaldi, Venice
Issue 109, Page 138Triangulation & Bird of Paradise
Issue 110, Page 138Cool Light Warm Shadows, Warm Light Cool Shadows & Telluride Bakery
Issue 111, Page 138Light and Shade & Still Life with Roses
Issue 113, Page 138Space Division & Hunan Sunset
Issue 115, Page 138Visual Poetry & Music & Kazakh Shepherd
Issue 116, Page 138Mass Notan & Moody Evening, Garrapata, Big Sur
Issue 117, Page 138Color Spots & The New Mengu Village
Issue 118, Page 138Tertiary Color Harmonies & Esedra Giulio, Borghese Gardens, Rome
Issue 119, Page 138Squaring Off Forms & Shanghai at Night
Issue 120, Page 138Varying Levels of Focus and Detail & Italy, Pianello
Issue 122, Page 138Suggestion & China, Xinjiang Yili
Issue 123, Page 138Avoid Over Blending & Shoton Festival in Tibet
Issue 124, Page 126