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James Gurney explores subjects that are all around us but rarely painted
Issue 149, Page 60 Read ArticleMoved by the traditional, but also drawn to the contemporary, Carlos Gomila harmonizes both with a dash of technical agility
Issue 70, Page 114Cheri Christensen concentrates on value, temperature and color relationships in her animal art
Issue 146, Page 68 Read ArticleArtist and nature enthusiast Judd Mercer shares his thoughts on plein air painting, upcoming workshops and more
Issue 154, Page 22 Read ArticleFirsthand observation allows Anne Peyton to paint the details, textures and movements of birds with ease
Issue 115, Page 92Working with the unpredictable medium of watercolor, Bob Hamilton-Pennell captures the moods and mysteries of nature
Issue 153, Page 90 Read Article Visit Gallery WebsiteAdam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within
Issue 159, Page 54 Read Article Visit Gallery WebsiteKevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition
Issue 105, Page 120An epic painting trip down Canada's River of Disappointment.
Issue 17, Page 106Paul Balmer shares his unique approach to painting that utilizes unconventional tools and perspectives
Issue 118, Page 68Lori Putnam's artwork is informed by her experiences painting both in plein air ans within her studio
Issue 138, Page 54This artist is considered to be a master of perspective, having a profound understanding of the vanishing point and of the art of suggestion.
Issue 51, Page 150Painting primarily with her fingers, Lavely Miller builds up her ethereal figures through layers of acrylic glazing
Issue 154, Page 82 Read Article Visit Gallery WebsiteThe figurative watercolors of Liu Yunsheng reflect the Tibetan way of life
Issue 123, Page 102Kristine Nason uses her experiences and knowledge of anatomy and drawing to paint emotive equestrian works
Issue 110, Page 82E. J. Paprocki gives your permission to use some or all of his many techniques to make your painting experience more enjoyable
Issue 65, Page 58It is the speed at which the brush is drawn across the paper that gives the work its vitality. Here's how it's done.
Issue 5, Page 66Jenny Buckner paints subjects and compositions she finds visually stimulating
Issue 117, Page 64Rob Piercy provides insight on painting high mountain landscapes with unique vantage points
Issue 112, Page 88Here's one art school that holds fast to the time-honored traditions.
Issue 19, Page 16Kathy Dolan makes personal connections with her artwork through technique and subject matter
Issue 106, Page 120For his technique, this artist uses his brushes as drawing implements.
Issue 56, Page 54Escha van den Bogerd's paintings bland artwork of the Old Masters with her contemporary aesthetic
Issue 133, Page 90In this issue we feature the pictorial thoughts and images of Daniel Oddone
Issue 59, Page 84This occasional series showcases artists who are household names in their own country. In this issue we feature the pictorial thoughts and images of Peter Weaver.
Issue 57, Page 72A report on the 11th Annual The Art of the Portrait® conference in Wahington DC
Issue 68, Page 34Scott Swinson chose to follow the traditional path of studying with an inspriational mentor
Issue 70, Page 86The people and scenes of California's Monterey Peninsula often inspire the paintings of Warren Chang
Issue 118, Page 52Paul Batch explains his process for painting beach scenes in the wintertime
Issue 122, Page 92Memories inspired this artist to create a very real world with light, life and emotion
Issue 58, Page 112In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 154, Page 116 Read Article Visit Gallery WebsiteJohn Lovett explains how to add dimension and texture to watercolour paintings
Issue 109, Page 118Robert Dale Williams walks us through the creative steps of his art
Issue 73, Page 58Chris Long paints cloudscapes, nocturnes and urban scenes that capture stunning displays of light and shadow
Issue 154, Page 62 Read Article Visit Gallery WebsiteWatercolor does not have to be mollycoddled.
Issue 19, Page 54Alexander "Sasha" Sergeeff relies on research and observation to paint rooms filled with life and energy
Issue 118, Page 78Anna Wypych's paintings are united by positive feelings and encouragement
Issue 136, Page 52- The Central Ontario Art Association - Society of Canadian Artists - International Association of Pastel Societies - New English Art Club - San Diego Watercolor Society - Catharine Lorillard Wolfe Art Club - Pastel Artists Canada - The Canadian Society of Painters in Watercolour
Issue 48, Page 17- Sierra Watercolor Society Art Prize - Federation of Canadian Artists - Royal Institute of Oil Painters - Royal Society of Marine Artists - Pastel Society of Southeast Texas - American Women Artists - Soutwestern Watercolor Society
Issue 49, Page 17All the winners and finalists in our inaugural art prize.
Issue 17, Page 4All the winners and finalists in our second art prize.
Issue 18, Page 4All the winners and finalists in our most hotly contested cash art prize yet.
Issue 19, Page 4All the winners and finalists.
Issue 20, Page 4