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Important Principles of Art

Harley Brown's fascinating thing no one else will tell you

Issue 120, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 131, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 110, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 99, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 121, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 132, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 111, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 100, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 122, Page 140

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Important Principles of Art

Haley Brown's fascinating things no one else will tell you

Issue 133, Page 108

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 112, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 101, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 134, Page 108

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 123, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 113, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 102, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 136, Page 108

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you.

Issue 124, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 92, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 103, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 137, Page 108

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 125, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 93, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 104, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 138, Page 108

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 126, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 94, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 105, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 116, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 127, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 106, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 117, Page 140

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Important Principles of Art

Harley Brown's fascinating things no one else will tell you.

Issue 95, Page 140

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Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 109, Page 140

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Important Principles of Art:

Harley Brown's fascinating things no one else will tell you

Issue 115, Page 140

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Impressions of the Rock

This artist doesn't like to provide too much detail, preferring instead to have the viewer fill in the gaps

Issue 59, Page 106

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Improve the focus and direction of your marketing

Graeme Smith tells us the importance of marketing yourself and your work

Issue 67, Page 135

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Improvisational painting and the three big C's

How you can interpret reality by putting realistic objects into abstract trappings.

Issue 1, Page 42

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In a Given Moment

Jackie Grisley is compelled to paint the power and drama of nature's mini miracles

Issue 78, Page 82

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In All Their Splendor

Marieluise Bantel captures the nuances of her botanical subjects by carefully choosing and mixing colors

Issue 148, Page 62 Read Article Visit Gallery Website

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In defence of the commissioned artist

This artist stands up to be counted as a member of a sometimes maligned section of the art family.

Issue 33, Page 130

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In Detail

Using history and authentic artifacts, painter Kyle Polzin explores a detail-rich brand of storytelling

Issue 113, Page 48

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In his previous life as an architect, Barrie Chadwick learned the proper way to make finely detailed field notes that he could later translate onto his canvas back in the studio

Issue 69, Page 82

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In Memoriam: Daniel E. Greene

Issue 133, Page 44

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In Place of Photos

Sandy Kossin's prowess with his customized techniques and creative use of mediums produced compelling illustrations of a dramatic time in history

Issue 87, Page 84

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In Pursuit of the Beautiful

Robert Lemler discusses artistic expression, career recognition and the joys of teaching

Issue 156, Page 22 Read Article

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In Retrospective

A discussion of British artist Alan Cotton's oeuvre and techniques.

Issue 103, Page 52

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In Search of a Controlled Finish

Self taught artist David Sandell's journey to the USA to study with modern master Daniel Greene proved to be a major turning point

Issue 71, Page 102

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In Search of Luminous Color

Barbara Vance takes her paintings up a notch with the power of glazing

Issue 84, Page 56

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In Search of Something New

Australian artist Colley Whisson is always looking for new and interesting things to say with his oil paintings

Issue 111, Page 54

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