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Camille Przewodek shares her tips for developing color perception while working outdoors
Issue 122, Page 76Michele Van Maurik shares her insights on the importance of colour when painting white flowers
Issue 119, Page 80Ed Hatch explains his methods for observing and recreating the energy of the sun in your paintings.
Issue 68, Page 52Planning, visualizing and focusing results in an exceptional work of art.
Issue 34, Page 120A visual understanding of her subject matter allows Karen Blackwood to paint realistic and dramatic ocean scenes
Issue 119, Page 50Jeanette Blackburn believes it is the urge to recreate the subject She sees that results in the realness of her paintings
Issue 63, Page 140Rosi Robinson shares her insights and techniques on the batik approach to fine art
Issue 104, Page 114Combining colored pencil and pastel, Erika Kauffman portrays the personalities of canines in rich color and detail
Issue 143, Page 110 Read ArticlePainting from life, Johanne Mangi captures the hearts and souls of pets with skill and passion
Issue 158, Page 64 Read Article Visit Gallery WebsitePrior to starting a new painting, Jette van der Lende thoroughly thinks out her composition
Issue 109, Page 80James Gurney has been using water media more than oils for plein air painting—here’s one of his favorite oil substitutes
Issue 154, Page 46 Read ArticleIssue 105, Page 36
Ellen Milinich's portraits are real, intimate and spirited everyday images
Issue 80, Page 72Claiming an extraordinary appreciation forthe telephone pole, this artist reveals her technique for discovering the personality of the overlooked.
Issue 54, Page 62Randy Van Dyck's paintings start with the title as concept, then the focal imagery develops into an unexpected play on words
Issue 105, Page 98