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' Issue #114
Station Points

Tips & Insights from James Gurney Sharing Your Art on Social Media

Issue 114, Page 24
' Issue #137
Station Points

Tips & Insights form James Gurney TRIADS, Part 1: Plein Air Experiments

Issue 137, Page 30
' Issue #125
Station Points

Tips & Insights from James Gurney Dinosaur Art is Wildlife Art

Issue 125, Page 32
' Issue #104
Station Points

Tips & Insights from James Gurney Resurrecting Tyrannosaurs

Issue 104, Page 40
' Issue #115
Station Points

Tips & Insights from James Gurney Do Gouache and Watercolor Play Well Together?

Issue 115, Page 34
' Issue #138
Station Points

Tips & Insights from James Gurney TRIADS, Part 2: how to Chart You Colors

Issue 138, Page 30
' Issue #126
Station Points

Tips & Insights from James Gurney Sketching Irish Musicians

Issue 126, Page 30
' Issue #94
Station Points

Tips & Insights from James Gurney Designing Australia's Dinosaur Stamps

Issue 94, Page 40
' Issue #105
Station Points

Tips & Insights from James Gurney Ten Tips for Success in Gouache

Issue 105, Page 42
' Issue #116
Station Points

Tips & Insights from James Gurney Building a Sketch Easel

Issue 116, Page 26
' Issue #127
Station Points

Tips & Insights from James Gurney A Day at the Diner

Issue 127, Page 29
' Issue #106
Station Points

Tips & Insights from James Gurney Extreme Limited Palettes

Issue 106, Page 42
' Issue #117
Station Points

Tips & Insights from James Gurney Top 10 Tips for Painting Flowers Outdoors

Issue 117, Page 28
' Issue #95
Station Points

Tips & Insights from James Gurney Two Artists Paint a Blacksmith Shop

Issue 95, Page 38
' Issue #87
Station Points Tips & Insights From James Gurney

How to make reference macquettes for sci-fi vehicles

Issue 87, Page 48
' Issue #90
Station Points Tips & Insights From James Gurney

Using backlighting for a brilliant effect

Issue 90, Page 42
' Issue #91
Station Points Tips & Insights From James Gurney

Urban Sketching

Issue 91, Page 40
' Issue #93
Station Points: Tips & Insights

Hard and Soft Light

Issue 93, Page 38 Read Article
' Issue #43
Stay fresh

How to remain fresh for your work in body and spirit.

Issue 43, Page 98
' Issue #69
Stay in Focus

Information gathered at a high school photography course helped Randy Ford lay the foundation for the painting process he still uses to this day

Issue 69, Page 58
' Issue #58
Staying in the Zone

This artist reveals how mastering the VCM gives you freedom to find your own voice and style.

Issue 58, Page 42
' Issue #160
Staying Open

Chantel Barber uses a variety of acrylic paint thicknesses to create highly expressive figurative works

Issue 160, Page 84 Read Article Visit Gallery Website
' Issue #141
Steady Build-up

Beginning with a loose approach, Martin Kotyluk gradually works toward the finer details in his acrylic works

Issue 141, Page 82 Read Article
' Issue #89
Steady Gains, Premium Prices and The Back End

Consider these strategies for continuing your art sales success story!

Issue 89, Page 135
' Issue #157
Step by Step

A Portrait of Connection

Issue 157, Page 30 Read Article
' Issue #148
Step by Step

Issue 148, Page 40 Read Article
' Issue #160
Step by Step

Faith and Flowers

Issue 160, Page 30 Read Article
' Issue #159
Step by Step: Spiral

Issue 159, Page 32 Read Article
' Issue #134
Stephen Bennett

Pencil power

Issue 134, Page 88
' Issue #39
Stephen J. Bragg, Anthony Morris, Marion Drummond, Rob Piercy, Carolyn Finch, Tim Rose, Fraser King,Georgie Young and Rowena Laing

Issue 39, Page 26
' Issue #117
Steve Morris

Avian architecture

Issue 117, Page 100
' Issue #10
Stick with it

You must master the ability to hang on to your purpose

Issue 10, Page 80
' Issue #32
Still life - a world of wonder

The conceptual, narrative, semi-autobiographical works of Scott Fraser

Issue 32, Page 40
' Issue #133
Still Life Painting

Part 1 -- Creating a Successful Process: An Alla Prima Approach for Still Life Painting

Issue 133, Page 50
' Issue #130
Stimulating the Imagination

Everything in nature is a source of inspiration for painter Nikolo Balkanski

Issue 130, Page 60
' Issue #91
Stimulation can involve a change of emphasis

Part 3 Gerald Brommer examines what stimulates creative expression and production

Issue 91, Page 48
' Issue #94
Stimulation, Part 16 Exploration = Stimulation

Issue 94, Page 48
' Issue #92
Stimulation, Part 4

Exploring nature's elements to stimulate creativity

Issue 92, Page 46
' Issue #93
Stimulation, Part 5

How a few scratches sparked a new way of working

Issue 93, Page 46
' Issue #147
Stories the City Tells

Frederick Brosen captures the heart of his city scenes through spatial construction, color transition and perspective

Issue 147, Page 86 Read Article Visit Gallery Website
' Issue #15
Storm in a teacup

The world's miniature artists blow into town.

Issue 15, Page 12
' Issue #148
Storytelling

Chairman’s Letter

Issue 148, Page 32 Read Article
' Issue #9
Straight lines can speak volumes

How one artist translates the everyday miracle of a living landscape onto a flat surface.

Issue 9, Page 122
' Issue #90
Straight to the Focal Point

Deepak Patil uses an oil painting technique when he paints with acrylics to achieve his desired result

Issue 90, Page 102
' Issue #142
Stream of Consciousness

Balancing a sense of looseness and technical accuracy, Riad feels his way through his charcoal portraits

Issue 142, Page 110 Read Article
' Issue #49
Strengthen your watercolor with tonal values

This artist tells how an internal tonal value scale helps him create unified works that explode with color.

Issue 49, Page 104
' Issue #133
Striving for Excellence: The 2020 Class of Portrait Society Signature Status

Issue 133, Page 38
' Issue #128
Striving for Success

How a series of exhibitions can help you sell your work to collectors, old and new

Issue 128, Page 25
' Issue #85
Striving For That Extra Something

Forging an emotional connection gives Gregory Wellman's portraits a life of their own

Issue 85, Page 108
' Issue #52
Studio Access

Laurie Humble - USA; Andy Hsu - USA; Selina Karim - USA

Issue 52, Page 101