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Each composition Sue Miller paints has specific technical goals to enhance the overall vision
Issue 136, Page 74Favorite drawing tools, watercolor brushes and the marks they make.
Issue 41, Page 130Insights from watercolourist John Lovett on how to modify and rearrange shapes
Issue 108, Page 110This artist wants you to know that colored pencils are much more than a drawing medium.
Issue 57, Page 44Chris Postle shares how to create impact with simple design, contrasts, and colour
Issue 125, Page 96
Working both loosely and tightly, James Swanson captures a sense of movement in his water dog paintings
Issue 160, Page 70 Read Article Visit Gallery WebsiteRichard Rogers explores the many possibilities presented by acrylics in this new series
Issue 89, Page 110Richard Rogers explores the many possibilities presented by acrylics in this new series
Issue 90, Page 114Richard Rogers explores the many possibilities presented by acrylics in this series
Issue 91, Page 122Richard Rogers Explores the many possibilities presented by acrylics in this new series which creates challenges and makes difference 'rules' for each painting project
Issue 87, Page 104A showcase of work from one of Australia's leading watercolorists.
Issue 29, Page 138Issue 10, Page 94
Issue 31, Page 140
Through glazing and scumbling, oil painter Karen Murphy manipulates her medium to create atmospheric landscapes
Issue 164, Page 50 Read Article Visit Gallery WebsiteDifferent ways to use masking fluid, some blatant and in your face, others softer and more subdued. By
Issue 46, Page 90