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' Issue #154
Master Showcase

Issue 154, Page 32 Read Article
' Issue #143
Master Showcase

Issue 143, Page 40 Read Article
' Issue #155
Master Showcase

Issue 155, Page 32 Read Article
' Issue #99
Master Showcase

Issue 99, Page 30
' Issue #111
Master Showcase

Issue 111, Page 38
' Issue #156
Master Showcase

Issue 156, Page 30 Read Article
' Issue #145
Master Showcase

Issue 145, Page 38 Read Article
' Issue #157
Master Showcase

Issue 157, Page 28 Read Article
' Issue #134
Master Showcase

Issue 134, Page 44
' Issue #123
Master Showcase

Issue 123, Page 42
' Issue #147
Master Showcase

Issue 147, Page 38 Read Article
' Issue #136
Master Showcase

Issue 136, Page 40
' Issue #124
Master Showcase

Issue 124, Page 42
' Issue #103
Master Showcase

Issue 103, Page 30
' Issue #159
Master Showcase

Issue 159, Page 28 Read Article
' Issue #93
Master Showcase

Issue 93, Page 30
' Issue #137
Master Showcase

Issue 137, Page 40
' Issue #149
Master Showcase

Issue 149, Page 36 Read Article
' Issue #115
Master Showcase

Issue 115, Page 40
' Issue #138
Master Showcase

Issue 138, Page 42
' Issue #160
Master Showcase

Issue 160, Page 28 Read Article
' Issue #126
Master Showcase

Issue 126, Page 42
' Issue #139
Master Showcase

Issue 139, Page 38 Read Article
' Issue #150
Master Showcase

Issue 150, Page 36 Read Article
' Issue #94
Master Showcase

Issue 94, Page 32
' Issue #127
Master Showcase

Issue 127, Page 40
' Issue #106
Master Showcase

Issue 106, Page 34
' Issue #151
Master Showcase

Issue 151, Page 40 Read Article
' Issue #87
Master's Showcase

Four top artists showcase their work

Issue 87, Page 30
' Issue #39
Masterful approaches

Did you know there are at least two approaches to painting with pastels?

Issue 39, Page 108
' Issue #88
Mastering Brushstrokes

Albert Handell talks about his painting technique

Issue 88, Page 56
' Issue #63
Mastering Classic Watercolor Technique

Irene Hannestad maintains control of every stage of the painting process

Issue 63, Page 106
' Issue #99
Mastering Gesso Glazes

John Lovett instructs how to achieve a soft gesso glaze

Issue 99, Page 98
' Issue #134
Mastering Still Life Painting

Part 2 -- 3 Steps to a Successful Still Life Composition

Issue 134, Page 48
' Issue #136
Mastering Still Life Painting

Part 3 -- 6 Painting Pitfalls to Avoid in Still Life

Issue 136, Page 48
' Issue #137
Mastering Still Life Painting

Part 4 -- Avoid the Anxiety of Painting Roses with the Easy Stage-by-Stage Process

Issue 137, Page 52
' Issue #38
Mastering the sublime landscape

See how this master of the sublime vista translates the energy and truth of plein air studies into magnificent studio paintings.

Issue 38, Page 20
' Issue #24
Mastering the subtle nuances of color temperature

Issue 24, Page 102
' Issue #34
Mastering your palette

How to become more consistent in mixing the exact colors and values you want.

Issue 34, Page 132
' Issue #69
Masterpiece in the Making

Experience the development of a new major work by Zhuo S. Liang from research to completion

Issue 69, Page 50
' Issue #70
Masterpiece in the Making

Experience the development of a new major work by Mian Situ from research to completion

Issue 70, Page 42
' Issue #7
Masters of the Media

Just some of the works in Ron Ranson's personal collection: John Badcock, Claude Croney, Peter Hall, Edward Seago, Douglas Treasure, John Yradley, Trevor Chamberlain, Lawrence Goldsmith, Ross paterson, David Taylor and Derric Van Rensberg

Issue 7, Page 62
' Issue #88
Masters Showcase

Four top artists showcase their work

Issue 88, Page 30
' Issue #79
Masters Showcase

Showcasing the work of three Master artists

Issue 79, Page 30
' Issue #89
Masters Showcase

Four top artists showcase their work

Issue 89, Page 30
' Issue #90
Masters Showcase

Four top artists showcase their work

Issue 90, Page 30
' Issue #82
Masters Showcase

Issue 82, Page 32
' Issue #91
Masters Showcase

Four top artists showcase their work

Issue 91, Page 32
' Issue #83
Masters Showcase

Issue 83, Page 32
' Issue #73
Masters Showcase

A look at some of the best works of members from Portrait Society of America.

Issue 73, Page 32