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Warren Chang's newest painting, Give Us Our Daily Bread, comes to fruition after years of development
Issue 122, Page 64Naturalist painter Shanna Kunz discusses her techniques for thinking outside the box when working on a new piece
Issue 160, Page 32 Read Article Visit Gallery WebsiteBuilding up her pastel works from dark to light tones allows Rosie McClelland to make vivid and well-planned scenes
Issue 99, Page 110Gathering source information is the vital first step for the artwork of Roger Dale Brown
Issue 108, Page 70Steve Scheuring explores the sheer breadth and depth of artistic inspiration
Issue 77, Page 68Professional artist Jane A. Cook shares her insights on the path to a successful career
Issue 117, Page 44Professional artist Janet A. Cook shares her insights on the path to a successful career
Issue 118, Page 46Painting small-scale sketches enabled John Lovett to experiment with technique and compositions
Issue 118, Page 120Elizabeth Ralph-Smith’s Artistic Odyssey
Issue 154, Page 28 Read ArticleBy beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works
Issue 95, Page 82When Mark Whittaker wanted to move onto color, he discovered that pastel made the transition from pencil drawing successful for his style and subjects
Issue 89, Page 86A Moscow painter aims to show the beauty of the world - the things we see every day - but from a different angle.
Issue 13, Page 114With no references to guide him this artist uses heavily diluted oil Colors to create spontaneous visions directly onto the canvas
Issue 59, Page 136The medium of gouache allows Maida Morrison the flexibility to capture the character of her wildlife subjects
Issue 141, Page 98 Read ArticleJenny Barnes combines accurate pencil sketches with the spontaneity of watercolor to create portraits that bleed emotion
Issue 154, Page 98 Read ArticleTo create a solid composition, Stan Miller relies on drawing and visual elements he has learned during his art career
Issue 114, Page 94Wildlife artists working in a variety of mediums share their processes for capturing the unique textures of animals
Issue 138, Page 46Jason Patrick Jenkins' combination of previous and current methods reflects his effort to maintain strengths while evolving artistically
Issue 106, Page 62Artist Kevin Grass provides comprehensive advice on how to prepare for a successful art fair
Issue 151, Page 50 Read ArticleWhen gathering information,give yourself permission to enjoy the expanded benefits offered by a digital camera.
Issue 42, Page 92Delving into the various costs associated with running an independent venture
Issue 158, Page 56 Read ArticleUnderstanding artistic vocabulary and experimenting with different ideas
Issue 147, Page 22 Read ArticleWatercolorist Peter Cronin uses a few simple washes that vary in intensity to create soft, luminous landscapes
Issue 151, Page 86 Read Article Visit Gallery WebsiteRecurrent themes form the inspirational subjects of compelling, mystical paintings
Issue 87, Page 38John Lovett shares his techniques for painting only the "important" elements of a scene
Issue 120, Page 116Visual truthfulness is not about painting every petal in photographic detail, but placing the entire subject area in order of appearance. But where to start?
Issue 1, Page 100Our professional art consultant will give you insight and advice on how to build a successful art career.
Issue 27, Page 16This artist combines superior photographic skills with his sketches to capture the beauty of nature.
Issue 57, Page 142Gail Descoeurs utilizes the magnetic power of mood
Issue 81, Page 114Yes, there's a lot of Canadian taxpayers' money being wasted on dubious art too
Issue 6, Page 50You must paint to please yourself first and personal style will follow.
Issue 27, Page 116Emily Bickell takes a new approach in her recent paintings, working from the most detailed elements to the simplest
Issue 139, Page 62 Read ArticleUsing this slow and methodical technique, Henry Riffe builds his paintings up through multiple layers of color
Issue 133, Page 66Crystal Beshara discusses the process of working with glazes to create an illusion of depth and light
Issue 106, Page 100Computer technology means you are no longer restricted to a meager handful of polka-dots arranged in a circle.
Issue 22, Page 26Could International Artist magazine's Flowers and Gardens Art Prize Winner's poured wash technique put some zest back into your predictable watercolors?
Issue 27, Page 84Australian wildlife artist Steve Morell claims you cannot 'truly' paint something you have never personally experienced - here is an opportunity to add to your experience!
Issue 82, Page 112Harvey Dinnerstein's large, figurative paintings do much more than record momentary glimpses of daily life.
Issue 40, Page 16Plein air painter Paul Kratter demonstrates how he captures the most powerful aspects of the landscape
Issue 139, Page 54 Read Article