For a limited time, buy one subscription and receive a coupon code for 50% off a second subscription. Coupon is valid until December 25th, 2024.

Artist Search

Here are the results of your search...


' Issue #122
From Concept to Canvas

Warren Chang's newest painting, Give Us Our Daily Bread, comes to fruition after years of development

Issue 122, Page 64
' Issue #160
From Concept to Creation

Naturalist painter Shanna Kunz discusses her techniques for thinking outside the box when working on a new piece

Issue 160, Page 32 Read Article Visit Gallery Website
' Issue #99
From Dark to Light

Building up her pastel works from dark to light tones allows Rosie McClelland to make vivid and well-planned scenes

Issue 99, Page 110
' Issue #108
From Field to Studio

Gathering source information is the vital first step for the artwork of Roger Dale Brown

Issue 108, Page 70
' Issue #77
From Flicker of Fantasy, to Reality

Steve Scheuring explores the sheer breadth and depth of artistic inspiration

Issue 77, Page 68
' Issue #117
From Inspiration to Artist

Professional artist Jane A. Cook shares her insights on the path to a successful career

Issue 117, Page 44
' Issue #118
From Inspiration to Artist - Part 2

Professional artist Janet A. Cook shares her insights on the path to a successful career

Issue 118, Page 46
' Issue #92
From Inspiration to Painting

Issue 92, Page 102
' Issue #118
From Little Things...

Painting small-scale sketches enabled John Lovett to experiment with technique and compositions

Issue 118, Page 120
' Issue #154
From New Zealand to Florence

Elizabeth Ralph-Smith’s Artistic Odyssey

Issue 154, Page 28 Read Article
' Issue #95
From On Site to the Studio

By beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works

Issue 95, Page 82
' Issue #89
From Pencil to Pastel

When Mark Whittaker wanted to move onto color, he discovered that pastel made the transition from pencil drawing successful for his style and subjects

Issue 89, Page 86
' Issue #124
From Root to Crown: A Conversation with Bo Bartlett

Issue 124, Page 36
' Issue #13
From Russia with love

A Moscow painter aims to show the beauty of the world - the things we see every day - but from a different angle.

Issue 13, Page 114
' Issue #59
From the Mind to the Canvas

With no references to guide him this artist uses heavily diluted oil Colors to create spontaneous visions directly onto the canvas

Issue 59, Page 136
' Issue #141
Full of Personality

The medium of gouache allows Maida Morrison the flexibility to capture the character of her wildlife subjects

Issue 141, Page 98 Read Article
' Issue #154
Full Transparency

Jenny Barnes combines accurate pencil sketches with the spontaneity of watercolor to create portraits that bleed emotion

Issue 154, Page 98 Read Article
' Issue #114
Fundamentals of Art

To create a solid composition, Stan Miller relies on drawing and visual elements he has learned during his art career

Issue 114, Page 94
' Issue #138
Fur, Feathers, & Scales

Wildlife artists working in a variety of mediums share their processes for capturing the unique textures of animals

Issue 138, Page 46
' Issue #106
Fusion of Methods

Jason Patrick Jenkins' combination of previous and current methods reflects his effort to maintain strengths while evolving artistically

Issue 106, Page 62
' Issue #154
Future Generations

Chairman’s Letter

Issue 154, Page 26 Read Article
' Issue #151
Game Plan

Artist Kevin Grass provides comprehensive advice on how to prepare for a successful art fair

Issue 151, Page 50 Read Article
' Issue #42
Gathering information

When gathering information,give yourself permission to enjoy the expanded benefits offered by a digital camera.

Issue 42, Page 92
' Issue #158
General Costs to Run an Art Business

Delving into the various costs associated with running an independent venture

Issue 158, Page 56 Read Article
' Issue #147
Genres and Styles of Art

Understanding artistic vocabulary and experimenting with different ideas

Issue 147, Page 22 Read Article
' Issue #151
Gentle Repose

Watercolorist Peter Cronin uses a few simple washes that vary in intensity to create soft, luminous landscapes

Issue 151, Page 86 Read Article Visit Gallery Website
' Issue #113
Geoffrey Johnson

From dark to light

Issue 113, Page 82
' Issue #35
Geometric abstraction

An insight into abstract art.

Issue 35, Page 116
' Issue #87
Georg Huber

Recurrent themes form the inspirational subjects of compelling, mystical paintings

Issue 87, Page 38
' Issue #17
Get out and paint!

Why Plein air painting is all the rage.

Issue 17, Page 16
' Issue #120
Getting Away from the Subject

John Lovett shares his techniques for painting only the "important" elements of a scene

Issue 120, Page 116
' Issue #1
Getting going - making those first marks on canvas

Visual truthfulness is not about painting every petal in photographic detail, but placing the entire subject area in order of appearance. But where to start?

Issue 1, Page 100
' Issue #27
Getting in with a gallery. Part 2: It's not a raid, it's the beginning of a long-term relationship

Our professional art consultant will give you insight and advice on how to build a successful art career.

Issue 27, Page 16
' Issue #57
Getting nature into your lounge

This artist combines superior photographic skills with his sketches to capture the beauty of nature.

Issue 57, Page 142
' Issue #81
Getting The Viewer to Feel Your Paintings

Gail Descoeurs utilizes the magnetic power of mood

Issue 81, Page 114
' Issue #6
Ghyslaine Bluett, Carsen Frank, Klaus Hinkel, David Kenning and Glen Ladegaard

Issue 6, Page 88
' Issue #11
Gifted painters need not apply

Can a God-given gift be old fashioned?

Issue 11, Page 102
' Issue #6
Gigantic art cons make money at our expense

Yes, there's a lot of Canadian taxpayers' money being wasted on dubious art too

Issue 6, Page 50
' Issue #27
Giving birth to personal style

You must paint to please yourself first and personal style will follow.

Issue 27, Page 116
' Issue #20
Giving the creative process a prod

How to cure blank canvas syndrome.

Issue 20, Page 108
' Issue #139
Glazed

Emily Bickell takes a new approach in her recent paintings, working from the most detailed elements to the simplest

Issue 139, Page 62 Read Article
' Issue #133
Glazing an Underpainting with Color

Using this slow and methodical technique, Henry Riffe builds his paintings up through multiple layers of color

Issue 133, Page 66
' Issue #106
Glazing Techniques in Watercolours

Crystal Beshara discusses the process of working with glazes to create an illusion of depth and light

Issue 106, Page 100
' Issue #22
Go straight to the color you want to mix every time

Computer technology means you are no longer restricted to a meager handful of polka-dots arranged in a circle.

Issue 22, Page 26
' Issue #27
Go with the flow

Could International Artist magazine's Flowers and Gardens Art Prize Winner's poured wash technique put some zest back into your predictable watercolors?

Issue 27, Page 84
' Issue #82
Going [very] Wild in Africa

Australian wildlife artist Steve Morell claims you cannot 'truly' paint something you have never personally experienced - here is an opportunity to add to your experience!

Issue 82, Page 112
' Issue #37
Going beyond features to presence - Marshall Bouldin III

Issue 37, Page 33
' Issue #40
Going beyond the moment

Harvey Dinnerstein's large, figurative paintings do much more than record momentary glimpses of daily life.

Issue 40, Page 16
' Issue #15
Gold leaf abstracts of the Oman Desert

Issue 15, Page 72
' Issue #139
Golden Hour

Plein air painter Paul Kratter demonstrates how he captures the most powerful aspects of the landscape

Issue 139, Page 54 Read Article