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A conversation with artist and instructor Derek Penix
Issue 137, Page 26A conversation with artist and instructor Tina Garrett
Issue 138, Page 26John Lovett provides tips for engaging the viewer in a composition
Issue 132, Page 112Neill Jenkins believes oils are the perfect medium for painting his Oversized floral images
Issue 63, Page 78The natural attractions of her home state have inspired a search for drama for Carmen Beechers
Issue 83, Page 76Readers are in for a treat in the months to come as you enjoy this regular column by award-winning all media artist Bill James.
Issue 92, Page 42Readers are in for a treat in the months to come as you enjoy this regular column by award-winning all-media artist Bill James
Issue 93, Page 42Gordon Hanley discusses the color and diversity of birds in watercolour painting
Issue 123, Page 112International Artist’s inaugural cover artist, watercolorist Alvaro Castagnet
Issue 152, Page 52 Read ArticleDeborah Tilby aims to harmonize painterly elements with detail and texture in her compositions
Issue 114, Page 72In his wildlife paintings, Andrew Denman combines several artistic methods that allow for his distinct style to emerge
Issue 111, Page 108Qian Xiao's experience with watercolor painting allows her to explore the properties of acrylics
Issue 122, Page 98Zhao Fucai merges traditional Chinese techniques and Western realism in his dynamic watercolours
Issue 121, Page 94Chairman’s Letter
Issue 160, Page 22 Read ArticleUsing a blend of alla prima and indirect painting, Elizabeth Barlow creates vibrant floral portraits
Issue 160, Page 62 Read Article Visit Gallery WebsiteJohn Lovett explains how painting from life can sometimes have unexpected twists
Issue 133, Page 100John Lovett shows how you to use hard and soft focus to direct the viewer's eye.
Issue 52, Page 90Using traditional and contemporary approaches, Rosso Emerald Crimson paints representational art with a sense of abstraction
Issue 158, Page 98 Read Article Visit Gallery WebsiteUtilizing both technology and imagination, Karen Hollingsworth creates striking compositions
Issue 148, Page 68 Read Article Visit Gallery WebsiteWorking from dark to light values, Vicki Brophey focuses on color intensity in her pastel paintings
Issue 101, Page 102Ans Debije uses blades to carve impactful, painterly still lifes in oil
Issue 146, Page 54 Read ArticleCreating an underpainting to build composition allows Brad Teare to focus on color and texture
Issue 142, Page 62 Read ArticleAdapting the ancient art of Batik to contemporary watercolor.
Issue 43, Page 52Jen Urquhart depicts scientifically accurate florals and botanicals in colored pencil
Issue 139, Page 76 Read ArticleThe phenomenal 10-minute DVD art lesson concept wins artists' approval.
Issue 39, Page 94Developing a method for coping with complexity and a compulsion for detail.
Issue 50, Page 106Alvaro Castagnet is a master of busyness - whether it is in streetscapes or urban interiors. We ask him to share how he makes these complex subjects work
Issue 80, Page 135Roberto Zangarelli combines academic painting with his own artistic principles
Issue 131, Page 98Transforming the everyday into something special is Diane Morgan's artistic passion
Issue 85, Page 40Issue 10, Page 88
A fascinating "peak under the hood" to see the creative wheels turning and the painterly gears meshing.
Issue 1, Page 60Beginning with the details and working outward allows Kesja Tabaczuk to focus on the most important elements
Issue 156, Page 60 Read Article Visit Gallery WebsiteThis revered portrait painter his subjects with limericks, anecdotes and novelty tunes on his baby grand piano!
Issue 11, Page 24Classically trained painter Darya Dolgareva painstakingly crafts her scenes from life before transferring her vision onto canvas
Issue 147, Page 68 Read Article Visit Gallery WebsiteJohn Bradley finds inspiration from old photographs and the story they tell
Issue 88, Page 86A recent retrospective allowed T. Allen Lawson to stand back and see his work from a new perspective
Issue 127, Page 50John Lovett discusses his set of brushes for watercolor painting and how he uses them
Issue 154, Page 58 Read ArticleA 5-step process for building a successful work of art in any medium.
Issue 30, Page 120In this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
Issue 157, Page 120 Read Article Visit Gallery WebsiteIn this two-part series, James Gurney presents options for artists who want to improve their internet business strategies
Issue 158, Page 55 Read Article Visit Gallery WebsiteVanessa Rothe delves into the art of mixing colors and adjusting value when creating landscape scenes
Issue 150, Page 56 Read Article Visit Gallery Website