Search Results

'

An Endless Source Wonder

For Guy Combes, the life of wildlife painting begins in the field

Issue 86, Page 40

'

An Englishman in Savannah

This artist had Georgia on his mind as he produced these Impressions, full of Southern atmosphere.

Issue 18, Page 64

'

An Exploratory Approach

Learning to trust his instincts has led Daryl Urig to a number of new series, methods and ideas

Issue 120, Page 62

'

An Expression of Life

Charles Gibbons trusts his own instincts, being careful not to let others influence his chosen direction

Issue 73, Page 72

'

An expression of utmost purity

This artist uses values and lights in their respective protagonist roles to create supreme examples of the medium.

Issue 13, Page 106

'

An Ho: Whimsical scenes

Issue 155, Page 112 Read Article

'

An in depth look at perspective

Three different types of perspective put into perspective.

Issue 25, Page 24

'

An interview with Alvaro Castagnet

Not your usual interview - more like a visit to the high octane territory of the soul!

Issue 14, Page 142

'

An interview with Harley Brown

The book is destined to become dog-eared and paint-stained.

Issue 15, Page 142

'

An interview with master portrait artist Anthony Ryder

Issue 64, Page 36

'

An interview with Robert A. Wade about his new book

Issue 24, Page 144

'

An interview with Tom Hill

There's more to painting than spontaneous creation

Issue 11, Page 146

'

An interview with Tom Lynch

This artist talks about his dynamic for watercolorists in his new book.

Issue 13, Page 148

'

An Obsession with Perfectionism

After many years of drawing on stone in order to create her multiple lithographs and prints Gail Gash Taylor had to learn all over again how to paint her exquisitely detailed animals

Issue 65, Page 66

'

An oil demonstration with Anna Rose Bain

Issue 120, Page 42

'

An oil demonstration with Candice Bohannon

Issue 118, Page 44

'

An oil demonstration with Mary Saurer

Issue 119, Page 48

'

An Ongoing Process

A systematic and continuous process of comparison and correction works well for Sergei Oussik

Issue 86, Page 106

'

An Painter's Journey

Part 1 - An Introduction to Painting Knives

Issue 129, Page 50

'

Anastasia Mily: Ethereal quality

Issue 142, Page 88 Read Article

'

Anastasia Petryaeva: Natural flow

Issue 158, Page 92 Read Article Visit Gallery Website

'

Anatomy of a Pastiche

In this three part series Keith Cardnell shows us how copying the classics can help build confidence so you can tackle projects you might otherwise think are way beyond your ability

Issue 78, Page 100

'

Anatomy of a Pastiche

In this four part series Keith Cardnell shows us how copying the classics can help build confidence so you can tackle projects you might otherwise think are way beyond your ability

Issue 79, Page 108

'

Anatomy of a Pastiche

In this four part series Keith Cardnell shos us how copying the classics can help build confidence so you can tackle projects you might otherwise think are way beyond your ability

Issue 80, Page 104

'

Anatomy of the magazine

Issue 12, Page 2

'

Anatomy of the magazine

Issue 4, Page 3

'

Anatomy of the magazine

Issue 10, Page 2

'

Anatomy of the magazine