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Two artists had a transforming experience in China.
Issue 13, Page 8James Gurney shares his experience painting botanical subjects outdoors in water media
Issue 150, Page 120 Read Article Visit Gallery WebsiteWhat kind of artist is Per-Inge Isheden? Is he a modernist? Is he a traditionalist? This man confounds the critics because they simply can't put a label on him.
Issue 19, Page 82Tony Smibert's new book-cum-inspiration kit, shows you how to kickstart your creativity
Issue 6, Page 148Teresa Ramsay shares her techniques for up-scaling objects and flowers
Issue 81, Page 60Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method
Issue 109, Page 110In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 143, Page 120 Read ArticlePamela Griffith customised a still life floral composition to match a theme desired by her client
Issue 82, Page 106James Gurney explains why he often prepares his surface with a colored tone
Issue 151, Page 48 Read ArticleCommission painting can be an enjoyable challenge or distinct pain in the brush.
Issue 38, Page 40John Lovett shares the results of his recent workshop in Cornwall and the Cotswolds.
Issue 124, Page 122John Lovett explains how gathering information on-site can lead to studio works.
Issue 92, Page 132We talk to one of the most sought-after portrait painters in the country.
Issue 34, Page 26James Gurney shares his top 10 tips for painting lifelike dinosaurs
Issue 139, Page 26 Read ArticleRead how Sandra Blair uses her "bad hair day' brush to recreate lifelike fur and feathers.
Issue 66, Page 68In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 155, Page 116 Read ArticleShari Blaukopf shares her tips and techniques for painting snow using watercolors
Issue 128, Page 92In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.
Issue 149, Page 118 Read Article Visit Gallery WebsiteJohn Lovett takes us on a painting tour of one of Australia’s most extraordinary islands
Issue 157, Page 110 Read Article Visit Gallery WebsiteJohn McCartin shows how the distinction between what you physically see and how you paint what you see, makes all the difference
Issue 91, Page 110Discover the inner workings of the heart, mind and studio of this Kuwaiti artist.
Issue 32, Page 102Papay Solomon's portraits tell untold stories of immigrants and refugees.
Issue 124, Page 78How traditional textiles present Malaysian artist Chang Fee Ming with a form of expression in a culture steeped in myths and taboos.
Issue 3, Page 138When the AAP Mawson's Huts Foundation Rescue Team Expedition landed on Antarctica, Alasdair McGregor was there with his paints.
Issue 8, Page 98This painter's reason for living is to paint the faces of the Colca Valley people, their lives and the places where they live
Issue 7, Page 120Evocative, emotional abstract color inspired by a land of rich extremes.
Issue 44, Page 118George Scribner shares his eight-year journey painting one world's most recognized landmarks
Issue 106, Page 46In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.
Issue 147, Page 120 Read Article Visit Gallery WebsiteA testament to the fundamentals of good drawing and painting.
Issue 28, Page 130During the past year, Mia Bergeron has been working to evoke mood by using minimal information in her paintings
Issue 94, Page 72This artist specialises in hyper-realism, which is the translation of what is found in the 3D real world into the creative world of the flat painting.
Issue 53, Page 118John Lovett paints the villages of Vietnam using a subtle and unpredictable gouache technique
Issue 114, Page 110In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 151, Page 114 Read Article Visit Gallery WebsiteOliver Kohls demonstrates how to capture the dynamics of the sea using soft pastels
Issue 97, Page 120In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.
Issue 150, Page 118 Read Article Visit Gallery WebsiteBernard Marks shares his tips for creating paintings that reflect the character of the subject
Issue 113, Page 60James Gurney shares a practical method for painting a botanical study on location
Issue 156, Page 34 Read ArticleA journey into the uncharted territory of intense, hot, high-chroma colors
Issue 6, Page 26Once you master glazing you will be able to control the tonal values in your paintings.
Issue 25, Page 88Study and observation allow Chantel Barber to paint in a loose, impressionistic style
Issue 121, Page 86In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 145, Page 120 Read ArticleNew Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Issue 95, Page 104In every issue of International Artist we will feature a Painting Workshop from Richard Robinson, one of New Zealand's best artists
Issue 128, Page 131New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Issue 107, Page 134New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Issue 118, Page 134New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Issue 96, Page 90In every issue of International Artist we will feature a Painting Workshop from Richard Robinson, one of New Zealand's best artists.
Issue 129, Page 131