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A life-changing event persuaded Michael John Ashcroft to focus all his attention on creating vibrant art
Issue 62, Page 114Irene Georgopoulou invites the viewer into the secret world of the objects she depicts
Issue 86, Page 90Kim Wiggins imagines starry skies, open ranges and an American Eden in his Western paintings that are based on history and personal narrative
Issue 109, Page 54Christine Egnoski speaks to faculty members about this year's Portrait Society program for the conference in Philadelphia
Issue 59, Page 28Christine Egnoski continues her discussions with faculty members who will be at this year's Portrait Society conference in Philadelphia about their education and experiences with mentoring.
Issue 60, Page 28Christine Egnoski speaks to the 2010 The Art of the Portrait Faculty
Issue 71, Page 32Christine Egnoski talks with the 2013 The Art of the Portrait Faculty
Issue 89, Page 32Christine Egnoski talks with the 2013 The Art of the Portrait Faculty
Issue 90, Page 32This artist is not a fan of preliminary sketches and detailed planning. What she does is improvise!
Issue 32, Page 62Daniel Greene, Burton Silverman, Richard Schmid, Dawn Whitelaw, Sam Adoquei, Wende Caporale and Everett Raymond Kinstler
Issue 42, Page 33Drawing inspiration from subconscious memories of a Balkan childhood.
Issue 38, Page 76In this 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist
Issue 65, Page 90Fascinating, non-representational works that take viewers to another dimension.
Issue 21, Page 80Guennadi Kalinine develops his art in two distinct directions.
Issue 75, Page 84There's no place like home
Issue 39, Page 104All the Prize Winners in our International Artist Magazine Challenge No. 137
Issue 153, Page 6 Read ArticleAll the Prize Winners in our International Artist Magazine Challenge No. 128
Issue 144, Page 6 Read ArticleArtist and SAS instructor Ron Hicks discusses his influences, artistic progression and painting from the heart
Issue 142, Page 28 Read ArticleAlways mindful of composition, pastelist Dorothea Schulz distills the essence of simple pleasures in her still lifes
Issue 147, Page 96 Read Article Visit Gallery WebsiteWell-known illustrator Boris Vallejo shares his insights on technique and painting fantasy-themed works of art
Issue 117, Page 48Suzy Smith empowers the female form using cultural and social references
Issue 131, Page 66Issue 6, Page 140
After speaking up about art that shocks, Ron Ranson raises some more thorny issues.
Issue 4, Page 66Warren Chang gives us an in depth description on the creation of a figurative painting
Issue 89, Page 50Painting is a lot like cooking, to achieve the desired goal you have to have the right ingredients.
Issue 2, Page 42Approach every painting with a spirit of adventure - and don't overlook the computer!
Issue 11, Page 90Life observations and photo references guide Marcia Wegman to an ideal, attention-grabbing composition that entices viewers
Issue 112, Page 100Elizabeth Tyler paints acrylics that can be experiences at both a distance and close-up
Issue 99, Page 92Can it be that galleries aren't on easy street after all?
Issue 12, Page 98The philosophy and working of portrait giant Everett RaymondKinstler.
Issue 13, Page 20Jeremy Lipking has discovered his subject matter and is exploring it deeper than ever before
Issue 95, Page 46Hebe Brooks explains how she enhances her artwork through vivid reflections, fabrics, environment and more
Issue 105, Page 66Using the clair-obscur technique, John Boe Paulsen paints figurative works that are technically sound and filled with narrative
Issue 98, Page 78This artist's gift for line and tone combines with a mastery of color and reflected light.
Issue 54, Page 36Always snapping reference photos, Tracy Lyn Propp lets serendipity guide her artwork
Issue 148, Page 80 Read Article Visit Gallery WebsiteBy analyzing her subjects, Debra Reid Jenkins identifies key design elements to explore in every painting
Issue 125, Page 62Warren Chang demonstrates his latest fieldworker painting, Lettuce Harvest
Issue 109, Page 96Master artist David Leffel discusses art, movement and melody with International Artist magazine
Issue 94, Page 60