Search Results

'

The Value of Planning

Brienne M. Brown delves into the importance of creating value sketches before embarking on a new piece

Issue 160, Page 98 Read Article Visit Gallery Website

'

The Value of Workshops

Issue 163, Page 56 Read Article Visit Gallery Website

'

The Voyage

A journey of exploration and self-discovery has led colored pencil artist Jesse Lane into the depths of imaginative realism

Issue 149, Page 48 Read Article Visit Gallery Website

'

The watercolors of American artist Thomas Sgouros

Issue 38, Page 42

'

The Watercolours of Tony Foster

In this new 6 part series international artist Tony Foster will take you on a journey to exciting destinations around the world

Issue 67, Page 62

'

The work of the Watercolour Society of South Africa

Sue Kemp, Elsabe Valcke, Valerie Christie

Issue 24, Page 114

'

The world is my studio

Why much traveled artist, Robert A. Wade has earned himself the title of Unofficial World Ambassador of Watercolor.

Issue 1, Page 6

'

The world's secret painting places

Secret place number 5: USA: Port Clyde in Maine

Issue 12, Page 146

'

The world's secret painting places

Secret place number 21 Toledo, Spain.

Issue 29, Page 144

'

The world's secret painting places

Secret place number 9: Robin Hood's Bay, North Yorkshire, UK.

Issue 16, Page 142

'

The world's secret painting places

Belgium: Leuven

Issue 9, Page 156

'

The world's secret painting places

Secret place number 8: Perouges, France

Issue 15, Page 28

'

The World's Secret Painting Places

Portugal: The flower markets of Caldas da Rainha

Issue 8, Page 150

'

The world's secret painting places

Secret place number 7: Chioggia, Italy.

Issue 14, Page 140

'

The world's secret painting places

Secret place number 6: Taxco, Mexico.

Issue 13, Page 142

'

The World's secret painting places .

International Artist magazine's very own artist retreat in Italy

Issue 11, Page 156

'

The World's Secret Painting Places, France: Dinan in Brittany

Issue 10, Page 150

'

The-Texture-of-Time

Bennett Prize winner Amy Werntz create works of art that celebrate the beauty that only comes with age

Issue 164, Page 32 Read Article Visit Gallery Website

'

Theater meets art history

Great masterpieces of art recreated live, before your very eyes.

Issue 15, Page 14

'

Theory of relativity

How to work with the relationships that exist between line, tone, color and edge.

Issue 43, Page 60

'

There's a new way of painting everything

It doesn't matter if it's been done before.

Issue 21, Page 68

'

There's nothing like the real thing

This Singapore artist believes painting on the spot makes for a work with that elusive transient quality - atmosphere.

Issue 12, Page 72

'

There's plenty in a name

Issue 16, Page 118

'

There's Something about Water

John Lovett reflects on the merits of depicting water in your paintings

Issue 86, Page 136

'

Thick and Thin

Utilizing different oil mediums, Justin Wood layers a variety of textures to create still lifes that are both loose and defined

Issue 163, Page 66 Read Article Visit Gallery Website

'

Thinking Conceptually

The paintings of Alfredo Barros reach beyond the ordinary still life with geometrics

Issue 104, Page 88

'

Thinking in expressive color themes

Plan your paintings with strong structure and don't be afraid to establish strong color early on

Issue 31, Page 110

'

Thinking Negatively - Part 1

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 139, Page 42 Read Article

'

Thinking of switching to oil paints?

This artist offers practical information and advice for any artist thinking of starting or switching to oil painting.

Issue 55, Page 108

'

Third Shenzhen International Watercolour Biennial Announced

Issue 114, Page 50

'

This issue we feature the work of:

Stephen Griffin, Mary Ann Viola, David Goatley, Linda Kollacks

Issue 24, Page 38

'

Those Steps We Take

Harley Brown’s fascinating things no one else will tell you

Issue 140, Page 108 Read Article

'

Three Basic Rules of Drawings

Robert Stollar shares his rules to learning how to draw a realistic figure with more precision

Issue 96, Page 112

'

Three Blues and a Green

John Lovett has fun with mixed media by working in a limited color range

Issue 129, Page 106

'

Three Point Linkage

Lee Alban divides the painting process into three stages - the drawing, the values and the color

Issue 85, Page 72

'

Three specialists in their fields

Ariane Beigneux, William T Chambers, L Steven Moppert

Issue 15, Page 19

'

Three-step Process

Using a refined method gives artist Catherine Hearding the framework for her paintings

Issue 136, Page 82

'

Thriving in Nature

Painting from life has enhanced Daniel J. Keys' still lifes and landscapes

Issue 131, Page 46

'

Thumbnail Sketches

John Lovett shares how sketches help in the creation of large-scale watercolour paintings

Issue 96, Page 108

'

Tim Daniels, Sandra Nicholl, Marguerite Elliott, Gail S. Sibley, Denis Jacques, Kyle Thomson, Sam Mateer, Ginger Whellock, Hazel Monzingo and William A Schneider

Issue 39, Page 116

'

Tim Rees: Alla Prima Portraits in Charcoal

Issue 129, Page 48

'

Timothy Mulligan: Linear structure

Issue 156, Page 104 Read Article Visit Gallery Website

'

Tips and Tricks

John Lovett shares a few of his studio tips, from brush care to ideal ways to store watercolor paper

Issue 142, Page 84 Read Article

'

Tiziana Ciaghi

Moments in nature

Issue 113, Page 98

'

Tiziana Ciaghi, Kim Eng Yeo, Jon Ingi Sigurmundsson and Slava Semerikov

Issue 38, Page 134

'

Tjalf Sparnaay

Reinterpreting reality

Issue 120, Page 68

'

To be or not to be a realist

This artist searches for meaning between abstractionism and realism.

Issue 8, Page 114

'

To Gallery or Not to Gallery?

Selling your work in today’s art market

Issue 148, Page 22 Read Article

'

To master light you must make a shadow plan

How to infuse your paintings with appealing luminosity and dramatic contrast.

Issue 31, Page 104

'

To the Point

Keita Tsuji uses pointillism to heighten the color expression in his pastel paintings

Issue 164, Page 94 Read Article Visit Gallery Website

Artist Search