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Diana M. Armfield, Trevor Chamberlain, Brian TA Jones, Caroline Penny, Aubrey Phillips, J. Richard Plincke, Nicholas St. John Rosse, Peter Welton
Issue 3, Page 80Brian Bennett, Christopher Ryland, Peter Graham, John L. Chapman, Tom Kelly, Anthony Atkinson, Norman Sims, Jonathan Probert, Sandra Fletcher, Parastoo Ganjei
Issue 17, Page 86Martin Decent, Philip Gerrard, Bob Erends, John L. Hammond, Robin Reckitt, Bernard McDonald, Warren Storey, Rosemary Sarah Welch
Issue 11, Page 96Lisa Graa Jensen, Ronald Morgan, Derek Baulcomb, Siriol Sherlock, Annette Kane, Dorne Wright, Patricia Watling, Noel McCready, Alex Williams
Issue 16, Page 84David Bellamy, Ken Howard, Ronald Jesty, Alan Oliver, John Palmer, Colin Radcliffe, Alan Simpson, Trevor Waugh
Issue 2, Page 80Denis Lord, Alistair Butt, Nick Cudworth, H. Royston Hudson, Heather Hilder, Martin Dobson, Carole Williams, Neil Murison
Issue 9, Page 54David Birtwhistle, Christopher Insoll, Shirley Goodsell, Kenneth Denton, Samuel Fenton, Daphne Ellman, June Berry, Barry Freeman, Katharina Kubrick-Hobbs, Ray Evans
Issue 15, Page 108Rob Milliken, Anuk Naumann, Jenny Keal, Kevin Parrish, Kenneth Denton, Brian Lindley, Andrea Bates, Leslie Goodwin, William Newton
Issue 8, Page 66Norman Battershill, Ann Blockley, James Fletcher-Watson, Ian Houston, Brian Lancaster, Arthur Maderson, Tony Slater, Barry Watkin
Issue 1, Page 92Michael Chaplin, John Cowley, Marianne Cox, Bob Eckersley, Carol Mountford, Barbara Robertson, Philip Westcott, David Weston
Issue 5, Page 84Tim Rose, George Busby, Paul Dyson, Duncan C. Storr, Alan Cotton, Lin Pattullo, Jane Evans, Mary Batchelor, R. Mackervoy, Lori Hollenbeck
Issue 13, Page 98John Darlinson, Ann Parkin, Robbie Wraith, Peter Day, Robert Talbot, Andy Wood, Alan Edwards
Issue 21, Page 76Kristy Kutch, Evelyne Boren-Sadlier, Sue Zylak, Lawrence T. Yun, Mickey Bond, George Molstad, Wei Tai, Barbara Gene Kenyon, Ken Hosmer
Issue 19, Page 28Stacy Schimbeck, George Allan, Mae Rash, Hiroki Morinoue, Marian Freeman, Sidney T.K. Yee, David Farrington, Diana Lehr, Gayle Fulwyler Smith, Sally Sisson Anderson
Issue 21, Page 46Ann Manry Kenyon has seen her career shift away from traditional head and shoulder compositions to more complex full-length figures.
Issue 28, Page 32Sandra Nicholl reveals her skeleton keys for gaining entry into a world of wonder and enlightenment workshop
Issue 64, Page 116Abstract artist David Michael Slonim talks imagination, intuition and finding your own voice
Issue 146, Page 24 Read ArticleRic Dentinger tackles his watercolor paintings by working from dark to light
Issue 155, Page 94 Read Article Visit Gallery WebsiteWildlife artist Becca Barron achieves realistic portraits through a delicate drawing style and precise layers
Issue 146, Page 86 Read ArticleThis artist likes to take a bee's-eye view of flowers in order to take people right into the character of her subject.
Issue 23, Page 136Old roof slates provide the perfect working surface for this artist's textured paintings.
Issue 50, Page 28Barbara Dahlstedt uses a grisaille technique to create unity and color harmony in her drawings.
Issue 124, Page 108Oil Painters of America’s National Exhibition and Convention showcase some of the best in representational oil painting
Issue 160, Page 112 Read Article Visit Gallery WebsiteHeather Souliere focuses on value, composition and accurate perspective to create compelling cityscapes
Issue 141, Page 90 Read ArticleAging paint, crumbling brick, the elegance and daring of man-made structures, and the chance you will be mugged.
Issue 15, Page 84Lisa Homan-Conger, Phil Austin, Natasha Isenhour, Alice R. Laputka, Zimou Larry Tan, Riva Leviten, Torgesen Murdock, Jane Oliver, Christopher Pierce, Carol E. Swinney
Issue 26, Page 58Bryn Barnard, Mary Hortman, Donna Catotti, Jill L. Kline, Mary K. Forshagen, Robert McCall, Donald Holden, Linda St. Clair, Christopher Schink
Issue 11, Page 76Andrew Denman - Marlin Rotach - Armand Cabrera - John Hulsey - John R Maslen - Betty Nash - Linda Rinehart - June Young - Charles W Rowland
Issue 35, Page 63John M. Angelini, Ginger Bowen, Lynn Gertenbach, Susan Guy, Donna Krizek, Diane McCarten, Jody Mattison, Malcolm Rae, Leslie Taylor, Jane Trainor
Issue 25, Page 76Frankie Johnson, Bob Rankin, Travis Erion, Mary Lou Correia, Sam Connery, Randy Pijoan, Hai-Ou Hou, David Band, Charles Timothy Prutzer
Issue 16, Page 54Angelo John Grado, Bob Rohm, John Pototschnik, Buzz Brandt, Charlynn J M Knight, Geri Keary, Ken Cadwallader, Janie Gildow, Gretchen Schwab, Nancy K. Howe, Erik Sundgaard
Issue 15, Page 64Jeanne Mackenzie, Graeme Stevenson, Hedi Moran, Richard Schmid, Susan Webb, Grace L. Haverty, Bob Ragland, Renee Fakhrai
Issue 8, Page 40Miles Batt, Barbara W. Doncaster, Rose Ann Day, Joni Falk, Doug Katonak, Lewis B. Lehrman, Zoltan Szabo, Peter Van Dusen, Detha Watson, Frank Webb, Arne Westerman
Issue 1, Page 68Del-Bourree Bach - Daniel Truth - William M. Vrscak - Bob Heiks - Peggy Kingsbury - Thomas J. Owen - Charles Muench
Issue 32, Page 26John Swatsley - Christopher Stuart - Grant Hughes - Jackie Myers - Jada Rowland - Rongxu Long - Fumiko Kimura - Georgiana Cray Bart
Issue 31, Page 100Deborah Chapin, Henry Dixon, Marnie Johnson, Vera Curnow, Robert Steedman, William Conte, William Condit, Marilyn Hughey Phillis
Issue 13, Page 86George Allen, Jane R. Hofstetter, Leslie Clark, Florian K. Lawton, Joan January, Chery D. McClure, Sharon Wood
Issue 20, Page 22Judy Wengrovitz, Louise McCall, Annette Hodges, Chuck Marshall, Rocco J. Mirro, Heide Presse, Susan Sarback, Rob Goldberg, Vincent S Chiaramonte, Doug Gorrell
Issue 12, Page 50How working with a preliminary color sketch helps you get it right.
Issue 27, Page 40John Lovett shows us how to build intricate layers of texture
Issue 87, Page 136Use the color and light you see to sharpen your landscapes. This artist says the early hours and the remains of the day are special times for seeing what light and color can do to your landscapes.
Issue 47, Page 34Lines help guide Miranda Woollett throughout her painting process
Issue 109, Page 88Combining daring, experimental techniques and materials with computer technology to create unique female forms.
Issue 27, Page 130Mary Maxam's background in watercolor painting translates into her oil compositions
Issue 119, Page 60In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.
Issue 148, Page 120 Read ArticleIn Part Three, Amy K. Sanders shows how widening the range of values in your work plays the primary role in communicating depth
Issue 78, Page 48Reiko Hervin enlivened her paintings by stretching her color boundaries
Issue 83, Page 68Every hour of the day holds a unique light quality. Finding the right light for the subject is the key to an atmosphere-laden painting.
Issue 44, Page 74