Artist Search
Here are the results of your search...
This artist refused to let a little thing like being colorblind stop him from pursuing a career as an illustrator and fine artist.
Issue 56, Page 38It doesn't matter what you leave out of a painting as long as what you put in is right.
Issue 5, Page 90Painting in plein air, Vicki Norman carefully assesses the light conditions to determine proper colors
Issue 149, Page 54 Read Article Visit Gallery WebsiteHisamu Kido adores portraiture and recommends a practiced, respectful and thoughtful approach to the art form
Issue 88, Page 110Scottsdale Artists’ School sits down with Marianne Mitchell to talk self-confidence, personal growth and developing an artistic voice
Issue 143, Page 26 Read ArticleAfter cutting his teeth on billboards, painter Tim Solliday turned to Western art and never looked back.
Issue 130, Page 54Chinese-American painter Z.S. Liang turns to historical detail to bring to life his works showing Native Americans
Issue 127, Page 44If you turn a gridded photograph upside-down and transpose that upside-down image onto your canvas as little abstracts you will unleash the creativity in your soul!
Issue 41, Page 20Stanka Kordic paints alla prima AND with glazes for heightened luminosity and texture to get a feel for what the paint needs
Issue 88, Page 62In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists.
Issue 146, Page 120 Read ArticleJohn Lovett shares the importance of seeing clearly when painting
Issue 104, Page 124Jesse Lane creates the richness and feel of a photographic oil painting with colored pencils
Issue 123, Page 84Timothy Horn shares his understanding of capturing the light in landscape paintings
Issue 100, Page 66Chris McHenry shows how he uses small plein air watercolor paintings as color studies for full sized oil-on-linen works
Issue 69, Page 68John Lovett demonstrates his process for painting a warm Tuscan village scene in watercolor
Issue 158, Page 94 Read Article Visit Gallery WebsiteThe setting and the narrative are the primary components of Robert Hagan’s impressionistic works
Issue 114, Page 62Mo Teeuw, Stanford Gibbons, Jeremy C. Ford, Oliver Warman, Lynn Golden, Catharine Phelan, Charles Evans, Janet Thackray, Janet Whittle, James Mcgregor, Michael Bishop, Judi Whitton
Issue 18, Page 78Victor Ambrus, Nick Andrew, Sidney Cardew, Catherine Brennand, Ray Evans, John McCombs, Jack Millar, Brian Mitchell, Dennis Syrett, Michael Whittlesea
Issue 25, Page 52David Welsh, Terence Storey, Ann Davidson, Sir Kyffin Williams, Dorothy Bruce, Eric Gaskell
Issue 31, Page 56Deborah Phillips, Howell Davies, Yvonne Carter, Colin Orchard, James Watt, Sue Read, Steven Jones
Issue 30, Page 116Matt Talbert describes his process for creating expressive, paintings of the human figure—a balance of intuition and technical skill
Issue 153, Page 56 Read Article Visit Gallery WebsiteMichael Wilcox is a leading expert in the science of color. Here is the first of his new series as he explains the science of color
Issue 68, Page 108Michael Wilcox is a leading expert in the science of color. Here in the second of his new series he explains the science of color
Issue 69, Page 120In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting
Issue 154, Page 52 Read ArticleMichael Wilcox is a leading expert in the science of color. Here he explains the Combination of Contrasts
Issue 77, Page 92Michael Wilcox is a leading expert in the science of color. Here he answers some questions on Color and Technique
Issue 78, Page 78Michael Wilcox is a leading expert in the science of color. In this issue he looks a the paints and pigments that we have available. Starting with the various Yellows
Issue 79, Page 92Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.
Issue 80, Page 100Michael Wilcox is a leading expert in the science of color. In this issue he looks at the paints and pigments that we have available.
Issue 81, Page 98Michael Wilcox is a leading expert in the science of color. In this issue we will now take a look at the various greens
Issue 82, Page 122Michael Wilcox is a leading expert in the science of color. Here in the third of his new series he explains the science of color
Issue 70, Page 122Michael Wilcox is a leading expert in the science of color. Here he explains the mixing of Blue and Gray
Issue 71, Page 120Michael Wilcox is a leading expert in the science of color. Here he explains about putting a value on light and dark
Issue 73, Page 110Michael Wilcox is a leading expert in the science of color. Here he explains more about putting a value on light and dark.
Issue 74, Page 78Michael Wilcox is a leading expert in the science of color. Here he explains more about the Contrast of Temperature.
Issue 75, Page 118Michael Wilcox is a leading expert in the science of color. Here he explains the Contrasts of Complementaries.
Issue 76, Page 118In Part 8 of his series Master artist Daniel Greene takes a closer look at pastel painting surfaces and their preparation
Issue 67, Page 42Julie Bell shares how she came to recognize the patterns and rhythms of painting an animal and its coat
Issue 97, Page 76Through his colored pencil drawings, Elliott Everson translates the colors and textures of the Southwestern desert
Issue 127, Page 116Robin Berry discusses the importance of balancing light and shadow in watercolor painting
Issue 116, Page 86John Lovett shares tips for experimenting with unconventional tools
Issue 127, Page 112This artist lucidly expresses the creative instinct and the process behind the craft of painting, putting into words the essence and source of visual originality.
Issue 53, Page 110Darren Baker, Lynn McGregor, Martin Banks, Robert Maddison, Caroline Hulse, John Scarland
Issue 20, Page 80Peter Donnithorne, Paul Hardy, Jane Lampard, John Lines, JRC Martin, Michael Moss, Hazel Soan, John Tookey
Issue 4, Page 84Seren Bell, Maureen Jordan, P. Haynes, Paul Banning, David Curtis, Francis Boag, Sharon Rogers, Christopher Wood, Peter Barker, Michael B. Edwards, Brenda M. Sington
Issue 19, Page 76