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Are you intimidated by painting light as it reflects off complex surfaces? How to do it effectively with colored pencils.
Issue 45, Page 130In Deborah Friedman's most recent drawings of cairns she studies the interaction of colors
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Artist How do we know whether someone is a professional artist anyway?
Issue 60, Page 139This artist found satisfaction by adding abstraction to his figurative compositions.
Issue 50, Page 114Douglas Fryer discusses teaching, inspiration and creating highly expressive artwork
Issue 147, Page 24 Read ArticleIn his oil paintings, Michael Orwick conveys stories through design elements such as point of view and mood
Issue 102, Page 56Working directly from life without a drawn composition, Ingrid Christensen relies upon setup, tone and colour to paint a contemporary still life.
Issue 98, Page 70Georg Douglas blends natural and molecular elements in his abstracted floral paintings
Issue 117, Page 72International Artist magazine launches a unique 4 artist/4 seminar weekend in Los Angeles.
Issue 22, Page 49International Artist magazine launches a unique 4 artist/4 seminar weekend.
Issue 21, Page 51The anatomically accurate wildlife paintings of Cynthie Fisher come to life through sketches and references
Issue 116, Page 60Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas
Issue 95, Page 90Raymond Burns' paintings are energized with surface preparation, texture, brushwork and the creation of a memorable mood
Issue 76, Page 48This artist's incredible surface textures are the result of setting priorities in shape, definition and design.
Issue 5, Page 56An intriguing look at the confronting work of truly international artist Fred Cress.
Issue 2, Page 124Erika Stearly creates her abstract interiors by combining the fluidity of watercolors with the heaviness of acrylics
Issue 144, Page 104 Read ArticleThis artist departs from his comfort zonewhilst painting a mural on the cupola of the Ambato Capel in Quito, Ecuador.
Issue 54, Page 82An artist residency in the Eastern Swiss Alps allowed for close examinations of the environment through multiple seasons
Issue 126, Page 46This Swedish artist's work contains very little pure description.
Issue 23, Page 94John Lovett shows how to paint perspective in several compositions that include shutters
Issue 93, Page 108Wildly expressive color, shapes that create tension and a scintillating mosaic-like application of dots, strokes and dashes.
Issue 17, Page 92Zhang Xiaogang shares his relationship with the world through his watercolor paintings of lotus
Issue 129, Page 92Classical Chinese training overlaid on Western art themes.
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