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Doing what you do best can leave you creatively malnourished and artistically challenged. It could be time to take a risk!
Issue 1, Page 34Christine Egnoski continues her talks with members of the Faculty of the Portrait Society Of America prior to the 2009 The Art of the Portrait ® Conference
Issue 66, Page 36Christine Egnoski talked with members of the Faculty about inspiration, finding satisfaction, seeking a fresh approach to their work, and surmounting obstacles in their careers
Issue 65, Page 44Claudia Hartley chats with Scottsdale Artists’ School about her roots as an artist and instructor
Issue 144, Page 24 Read ArticleDanielle Robertson works with PanPastels and pastel pencils to capture the details of her wildlife subjects
Issue 154, Page 108 Read Article Visit Gallery WebsiteWorking with craft blades and tattoo needles, Conor Smith etches realistic renderings of wildlife
Issue 152, Page 84 Read Article Visit Gallery WebsitePlein air artist Michael King explores elements unique to painting in the field in this three-part series.
Issue 143, Page 50 Read ArticleOur European Editor says it's time traditionalists stood up for themselves and the beauty of representational art
Issue 1, Page 74No matter what methods you use, or what style you favor, the results will be rock-solid if you know how to build strong foundations.
Issue 25, Page 58John Michael Carter, Glenn Harrington, Garth Herrick, Xianyuan Jie, Stephen Pan, Tony Pro, Jean-Paul Tibbles, Jennifer Welty
Issue 45, Page 27Ned Bittinger, Loryn Brazier, John Michael Carter, Andy Thomas, Jennifer Welty
Issue 33, Page 38Ned Bittinger, Ardith Starostka, John Ennis Andy Thomas, Kirk Richards, Zhang Wen Xin,and Adam Rhude
Issue 39, Page 64Carol Ivey - Elaine Schechter - Linda Kollacks - Gerald Simcoe
Issue 34, Page 38Peter Folkes, James Huntley, and Pnina Granirer
Issue 10, Page 22When you are faced with complicated subjects, ask the right questions about proportion. Here's how this artist tackled the wonders of Sicily.
Issue 23, Page 122Gary Snavely and Tatsuo Inoue prove that opposites truly do attract, resulting in a unique, shared, creative experience
Issue 83, Page 108Ester Wilson explains how she use sketches and a studio setup to a paint a still life full of texture and dimension
Issue 130, Page 76Trompe l'Oeil artist Jorge Alberto is inspired by objects with history, creating a narrative around the items
Issue 107, Page 70Working with similar subject matter in each piece, James Gurney analyzes the qualities and quirks of his favorite sketch media
Issue 160, Page 44 Read ArticleKasey Sealy wants you to stop fiddling and try these practical oil painting tips now.
Issue 66, Page 62Andy Evansen first breaks down a scene into basic shapes through value studies, then translates it to a color painting
Issue 101, Page 84Learning to paint at 52, this artist shares her shortcut method for painting landscapes.
Issue 51, Page 74John Lovett discusses the importance of note taking and sketches in art
Issue 115, Page 84More than just blank space, John Lovett explores how skies can add balance and ambiance to a painting
Issue 140, Page 82 Read ArticleColored pencil artist Megan Seiter creates crisp, detailed still lifes of florals and other organic subjects
Issue 153, Page 84 Read Article Visit Gallery WebsiteKatherine McNenly treats each layer of paint as a foundation for the next one
Issue 85, Page 92Issue 2, Page 160
This artist offers his insights on how to find the painting style that best suits you.
Issue 31, Page 84Warren Chang breaks down his recent paintings capturing elements of life in California during the past two years
Issue 144, Page 40 Read ArticleThis English artist is famous for his light touch in gouache and his way of manipulating all kinds of contrast to good effect.
Issue 4, Page 76Working with pastel on custom-prepared surfaces, Kit Gentry finds that sensitive edges are essential for rendering form and atmosphere in landscape
Issue 85, Page 50From mountains, perma-frost taiga lush farmland to the Arctic, this adventurer artist has explored the landscape in a personal quest for an authentic Canadian artistic expression. Just like his ancestors.
Issue 23, Page 50Peter Stuhlmann's distinctive style has been influenced by cartoons and stained glass windows
Issue 77, Page 84This Australian artist has carved out an enviable reputation for her vivid sea and landscapes.
Issue 34, Page 88The key to making luminous pastels involves combining vibrant, clear colors over a radiant-toned underpainting.
Issue 4, Page 44Artist and SAS instructor Julee Hutchison creates painterly landscapes that evoke excitement and curiosity
Issue 153, Page 22 Read ArticleChew Piak San, Chok Kok Kheong, Hsieh Ming-Chang, Tham Siew-Inn, Tzeng Shing-Ping, Wen-Wei Liu, Wong Kum, Stephen Yau
Issue 2, Page 146Loy Chye Chuan, Kung Lai-Fu, Seah Kang Chui, Harlim, Chung Kin-San, Chung Chung-Sik, Wan Soon Kam, Barli Sasmitawinata, Peh Eng Seng, Ong Kim Seng, Wong Seng Tong
Issue 1, Page 142