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' Issue #8
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Issue 8, Page 32
' Issue #32
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Issue 32, Page 128
' Issue #74
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' Issue #57
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Issue 57, Page 128
' Issue #84
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' Issue #22
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' Issue #37
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' Issue #63
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' Issue #31
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' Issue #75
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' Issue #85
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' Issue #13
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' Issue #21
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' Issue #62
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Issue 62, Page 128
' Issue #5
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Issue 5, Page 32
' Issue #56
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Issue 56, Page 128
' Issue #36
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' Issue #30
How to subscribe

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' Issue #87
How to Subscribe & Order

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' Issue #88
How to Subscribe & Order

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' Issue #89
How to Subscribe & Order

Issue 89, Page 128
' Issue #90
How to Subscribe & Order

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' Issue #91
How to Subscribe & Order

Issue 91, Page 128
' Issue #42
How to untangle complexity with negative painting

Many of nature's most beautiful and intriguing subjects are comprised of a myriad baffling patterns and shapes. Here's how to make sense of it all.

Issue 42, Page 120
' Issue #45
How to work in the zone of uncertainty

How working in the zone between the abstract and representational will allow you to see your subject in a new light and treat you to a unique adventure along the way.

Issue 45, Page 74
' Issue #153
How to Write a Press Release

An important part of an artist’s promotional tool kit, whether promoting a workshop or an exhibition

Issue 153, Page 26 Read Article
' Issue #39
How tone keeps a chaos of colour under control

Action-packed, unorthodox alkyd surfaces.

Issue 39, Page 18
' Issue #60
How White Dictates Your Painting Style

Part 1 of a new series by Master Artist Daniel Greene

Issue 60, Page 34
' Issue #146
Hustle and Bustle

Watercolorist Amit Kapoor captures movement and action in his city scenes using purposeful, sweeping brushstrokes

Issue 146, Page 94 Read Article
' Issue #105
Hyper Transparency

John Lovett explains how to amplify transparency throughout contrasts with areas of flat opacityq

Issue 105, Page 116
' Issue #2
I'll take Manhattan

Sydney artist Paul Ching-Bor couldn't resist the siren call of the New York cityscape. Would he be able to make it there?

Issue 2, Page 116
' Issue #18
If you feel like an outsider, ask yourself why?

Are the people behind the scenes really out to get you?

Issue 18, Page 98
' Issue #156
Illumination

Lyn Diefenbach approaches pastels with a sculptural hand, creating depth and liveliness in her florals

Issue 156, Page 84 Read Article Visit Gallery Website
' Issue #3
Illusions and reality in acrylic

If you can see the abstract possibilities in the varied textures of the landscape, then you can create paintings without severing the link with reality.

Issue 3, Page 104
' Issue #107
Images as Inspirations

Photography plays an important role in the compositions of Anne Abgott's colorful watercolors

Issue 107, Page 84
' Issue #61
Images of the City

Jung Han Kim uses expressive line to paint the soul of San Francisco

Issue 61, Page 80
' Issue #110
Imagined Places

Using knowledge of the ocean and other natural elements, Mustafa Günen paints vast and realistic seascapes

Issue 110, Page 72
' Issue #101
Impacting an Audience

Billy Seccombe shares his methods for painting a commissioned album cover

Issue 101, Page 76
' Issue #114
Important Principles of Art

Harley Brown’s fascinating things no one else will tell you

Issue 114, Page 140
' Issue #128
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 128, Page 140
' Issue #107
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 107, Page 140
' Issue #96
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 96, Page 140
' Issue #118
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 118, Page 140
' Issue #129
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 129, Page 140
' Issue #108
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 108, Page 140
' Issue #97
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 97, Page 140
' Issue #119
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 119, Page 140
' Issue #130
Important Principles of Art

Harley Brown's fascinating things no one else will tell you

Issue 130, Page 140
' Issue #98
Important Principles of Art

Harley Brown's fascinating things that no one else will tell you

Issue 98, Page 140