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' Issue #112
Discovering Art: The Making of and Arist Part 68

Golden Section & Let Me See

Issue 112, Page 138
' Issue #106
Discovering Art: The Making of and Artist Part 62

Dominant Values & Zoucheng Girl

Issue 106, Page 138
' Issue #121
Discovering Art: The Making of and Artist Part 77

How to Observe Clouds & Shall We Go Inside?

Issue 121, Page 138
' Issue #146
Discovering the Why

A personal account of the 2022 The Art of the Portrait conference

Issue 146, Page 34 Read Article
' Issue #78
Dispensing Your Own Solutions

In Derek McGowan's third article, he examines the virtues of individualistic problem-solving within a process of artistic self-analysis

Issue 78, Page 62
' Issue #73
Divide and Conquer

Scumbling or Glazing? Sara Jane Doberstein combines, and even switches, these two techniques to accentuate the texture she's wanting to capture

Issue 73, Page 80
' Issue #42
Divine light

The symbolic interplay of light and shadow on architecture.

Issue 42, Page 82
' Issue #153
Do it For Yourself

Harley Brown’s fascinating things no one else will tell you

Issue 153, Page 122 Read Article
' Issue #88
Do we see what is real?

By limiting the 'clutter', Miranda Woollett can focus on the big questions she is trying to resolve

Issue 88, Page 94
' Issue #88
Do You Have a Long Term Vision About Your Art?

Develop a career path and boost your cash flow with these handy tips

Issue 88, Page 126
' Issue #126
Do You Have a Long-term Vision About Your Career?

Insights on how to exhibit and market your artwork successfully

Issue 126, Page 29
' Issue #2
Do you live on the plateau of complacency?

There comes a time when every artist could easily decide to "settle" for what they do now.

Issue 2, Page 62
' Issue #9
Dodgy issues

Some ploys used by artists are strictly legit, while other practices need to be stamped out. Which ones are which?

Issue 9, Page 88
' Issue #6
Does your art have ties to the past?

The subconscious motivation that can reveal itself in paint

Issue 6, Page 42
' Issue #125
Does Your Website Work?

The importance of building your online presence

Issue 125, Page 31
' Issue #140
Dog Days

Scottsdale Artists’ School instructor and artist Johanne Mangi paints a wealth of subjects but has a particular passion for canines

Issue 140, Page 24 Read Article
' Issue #109
Dominic Avant

An oil painting demonstration

Issue 109, Page 40
' Issue #6
Don Farrell, Britton Francis, Ken Gillespie, Brian R. Johnson, Don Li-Leger, Dorothy Oxborough, Maureen Paxton, Karin Rabuka and Carole Segal

Issue 6, Page 58
' Issue #5
Don't be afraid of the darks

An expert offers plenty of clues on curing paintings that are poorly planned, lacking in tonal contrast with no light in them.

Issue 5, Page 76
' Issue #14
Don't believe everything you read

Issue 14, Page 28
' Issue #11
Don't fall into the detail trap

Like a good storyteller this artist clears away the clutter of detail while up the best parts of the story.

Issue 11, Page 68
' Issue #62
Don't focus on the focal point

Jeff Yeomans tells why he spends most of his time concentrating on everything but the focal point.

Issue 62, Page 80
' Issue #21
Don't just think - feel!

You must allow both sides of your brain to operate when you are creating works of art.

Issue 21, Page 118
' Issue #15
Don't let doing business destroy your creativity

Issue 15, Page 34
' Issue #47
Don't wait around for inspiration

Years of experience as an illustrator taught this artist how to get in and get the work done, even when his creative energy is lacking.

Issue 47, Page 108
' Issue #43
Donna Aldridge, Bob Olson, Rita Kirkman, Dennis Rhoades, Donna van Leer and Mike Walsh

Issue 43, Page 88
' Issue #33
Down with trial-and-error!

A paradigm shift in the way you think about watercolor.

Issue 33, Page 116
' Issue #77
Dragging Yourself Out of the Creative Funk

In Derek McGowan's second article on self-advancement, he ponders the complexity of artistic inspiration and discovers numerous solutions for breaking a stalemate

Issue 77, Page 74
' Issue #13
Dramatic light on water

Look no further if you are seeking dramatic water effects.

Issue 13, Page 90
' Issue #148
Dramatic Volume

Acrylic artist Scott Coulter focuses on the importance of value to achieve realistic looking landscapes

Issue 148, Page 74 Read Article Visit Gallery Website
' Issue #63
Drawing

John Lovett shows the importance of basic drawing skills

Issue 63, Page 90
' Issue #89
Drawing and Painting The Dynamic Connection

Young Su shows us how to achive the effect of a classical painting, without the complications

Issue 89, Page 98
' Issue #144
Drawing Inspiration

Where to find and organize your references

Issue 144, Page 22 Read Article
' Issue #46
Drawing inspiration from the basics

How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.

Issue 46, Page 50
' Issue #13
Drawing is knowing, not just seeing

Draftsmanship and of line give the artist a solid foundation on which to build.

Issue 13, Page 40
' Issue #142
Drawing of Juan Manuel

Issue 142, Page 44 Read Article
' Issue #17
Drawing on the mind

Using archival material to bring visions to reality.

Issue 17, Page 74
' Issue #92
Drawing Out an Idea

Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings

Issue 92, Page 112
' Issue #115
Drawing Portraits in Charcoal

Insight on drawing materials, common challenges and the use of light and shadow

Issue 115, Page 24
' Issue #93
Drawing the Art of Life

Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner

Issue 93, Page 32
' Issue #30
Drawing the line - an interview with a panel of portrait and figurative giants

William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler

Issue 30, Page 32
' Issue #134
Drawing, Sketching and Scribbling

John Lovett shares the importance of drawing and its relationship with painting

Issue 134, Page 104
' Issue #6
Drawing, texture and the layering technique

Judith White's great slabs of landscape on paper on canvas

Issue 6, Page 92
' Issue #80
Drawings in 24ct Gold

Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint

Issue 80, Page 112
' Issue #97
Drawn to the Light

Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.

Issue 97, Page 66
' Issue #139
Dream Worlds

Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings

Issue 139, Page 94 Read Article
' Issue #130
Dreama Tolle Perry

Vibrant expressions

Issue 130, Page 92
' Issue #156
Dreams Do Come True

Harley Brown’s fascinating things no one else will tell you

Issue 156, Page 122 Read Article
' Issue #128
Dreamscapes

J. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter

Issue 128, Page 48
' Issue #155
Dreamy Ambiance

A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork

Issue 155, Page 72 Read Article