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Dominant Values & Zoucheng Girl
Issue 106, Page 138How to Observe Clouds & Shall We Go Inside?
Issue 121, Page 138A personal account of the 2022 The Art of the Portrait conference
Issue 146, Page 34 Read ArticleIn Derek McGowan's third article, he examines the virtues of individualistic problem-solving within a process of artistic self-analysis
Issue 78, Page 62Scumbling or Glazing? Sara Jane Doberstein combines, and even switches, these two techniques to accentuate the texture she's wanting to capture
Issue 73, Page 80Harley Brown’s fascinating things no one else will tell you
Issue 153, Page 122 Read ArticleBy limiting the 'clutter', Miranda Woollett can focus on the big questions she is trying to resolve
Issue 88, Page 94Develop a career path and boost your cash flow with these handy tips
Issue 88, Page 126Insights on how to exhibit and market your artwork successfully
Issue 126, Page 29There comes a time when every artist could easily decide to "settle" for what they do now.
Issue 2, Page 62Some ploys used by artists are strictly legit, while other practices need to be stamped out. Which ones are which?
Issue 9, Page 88The subconscious motivation that can reveal itself in paint
Issue 6, Page 42Scottsdale Artists’ School instructor and artist Johanne Mangi paints a wealth of subjects but has a particular passion for canines
Issue 140, Page 24 Read ArticleIssue 6, Page 58
An expert offers plenty of clues on curing paintings that are poorly planned, lacking in tonal contrast with no light in them.
Issue 5, Page 76Like a good storyteller this artist clears away the clutter of detail while up the best parts of the story.
Issue 11, Page 68Jeff Yeomans tells why he spends most of his time concentrating on everything but the focal point.
Issue 62, Page 80You must allow both sides of your brain to operate when you are creating works of art.
Issue 21, Page 118Years of experience as an illustrator taught this artist how to get in and get the work done, even when his creative energy is lacking.
Issue 47, Page 108Issue 43, Page 88
A paradigm shift in the way you think about watercolor.
Issue 33, Page 116In Derek McGowan's second article on self-advancement, he ponders the complexity of artistic inspiration and discovers numerous solutions for breaking a stalemate
Issue 77, Page 74Look no further if you are seeking dramatic water effects.
Issue 13, Page 90Acrylic artist Scott Coulter focuses on the importance of value to achieve realistic looking landscapes
Issue 148, Page 74 Read Article Visit Gallery WebsiteYoung Su shows us how to achive the effect of a classical painting, without the complications
Issue 89, Page 98How to use basic fundamentals such as Temperature, Value and Edge to infuse excitement onto the canvas.
Issue 46, Page 50Draftsmanship and of line give the artist a solid foundation on which to build.
Issue 13, Page 40Using as many drawings that he deems necessary, Ezra Tucker creates a starting point for his wildlife paintings
Issue 92, Page 112Insight on drawing materials, common challenges and the use of light and shadow
Issue 115, Page 24Drawing the Art of Life with Leslie Adams the 2013 International Portrait Competition William F. Draper Grand Prize Winner
Issue 93, Page 32William F. Draper, Anthony J. Ryder, Glenna Goodacre, Burton Silverman, Daniel E. Greene, Ronald N. Sherr, Everett Raymond Kinstler
Issue 30, Page 32John Lovett shares the importance of drawing and its relationship with painting
Issue 134, Page 104Judith White's great slabs of landscape on paper on canvas
Issue 6, Page 92Gordon Hanley takes us on a Renaissance adventure in realist art with metalpoint
Issue 80, Page 112Evan Wilson uses the "slight-size" method to create his stunning light-filled oil paintings.
Issue 97, Page 66Working with alcohol ink and acrylics, Hannah Rose creates fluid, fantastical paintings
Issue 139, Page 94 Read ArticleHarley Brown’s fascinating things no one else will tell you
Issue 156, Page 122 Read ArticleJ. Louis blends artistic styles in his textural figurative paintings that have a strong focus on technique and subject matter
Issue 128, Page 48A limited palette and open composition allow Marwa Khidir to maintain flexibility in her artwork
Issue 155, Page 72 Read Article