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Greg Allen, Amanda Hyatt and John Lovett take us aboard the Sea princess
Issue 78, Page 136After moving to Japan in 2011, Phil Couture has found the country, its culture and Ukiyo-e art have impacted his art
Issue 102, Page 108Giant reptiles, dingoes and deadly snakes form a living backdrop to this Outback painter's subject matter.
Issue 3, Page 114How to tackle designing and painting a neo-classical figure painting in the Renaissance genre and of mythological proportions, without resorting to real life gods and goddesses.
Issue 49, Page 80Why a tone out of place will destroy the impression of gradual recession.
Issue 14, Page 90A series where we take a look into the lives of some our most noted artists
Issue 73, Page 88A rare interview with a unique artist elected to the Pastel and Oil Painters' Halls of Fame.
Issue 5, Page 12Issue 36, Page 98
Issue 7, Page 138
A first-hand report of one artist's adventures in France with Alvaro Castagnet.
Issue 16, Page 144Why painting architecture on commission can be both stimulating and frightening.
Issue 43, Page 120A fellow artist puts this rejection thing into perspective.
Issue 8, Page 156Why pastel is so dear to this artist's heart.
Issue 27, Page 50The simplification of values and shapes allows Yong Hong Zhong to experiment with compositional arrangements
Issue 143, Page 62 Read ArticleOur report on the 2006 Art of the Portrait Conference in Dallas, Texas.
Issue 50, Page 21Using loose and refined strokes, Melissa Breault creates a sense of harmony between subject and environment
Issue 153, Page 70 Read Article Visit Gallery WebsiteUsing three essential aspects of visual expression can help artist stay true to themselves
Issue 137, Page 44Setting up the proper arrangement and lighting, Rosemary Lewis creates florals with form and balance
Issue 154, Page 68 Read Article Visit Gallery WebsiteUsing thin transparent layers, David Barclay demonstrates the use of glazing to create depth and vivid reflections
Issue 149, Page 68 Read Article Visit Gallery WebsiteOil painter David Sawyer explains how knowledge gained from plein air painting can enhance a work of art
Issue 105, Page 88Noah Buchanan shares his own method of indirect painting based on years of study
Issue 131, Page 54Chien Chung-Wei uses the characteristics of watercolors to express beauty and intrigue
Issue 102, Page 114The figurative work of Anny Wypych explores philosophical questions, moving from personal experiences to universal ideas.
Issue 103, Page 100Painting in the alla prima method, Naomi Brown captures the saturated colors of the Mojave and Sonoran Deserts
Issue 151, Page 64 Read Article Visit Gallery WebsiteFrom the pantry shelf into the studio - this artist feasts on two creative passions at once.
Issue 50, Page 46This artist uses light patterns to create works that surpass the reality of photographs.
Issue 56, Page 28