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Balancing a Creative Life: An Interview with Artist Susan Wakeen

Issue 118, Page 38

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Balancing a Painting

Working on multiple pieces at once, Laurence Saunois is able to step back and gain a new perspective as she works.

Issue 103, Page 84

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Balancing Act

Aleksandar Alexov achieves authenticity in his miniatures by treating color and shape as equal partners in wildlife art

Issue 83, Page 84

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Balancing Act

From color to composition, John Lovett provides various examples of maintaining balance in your art

Issue 150, Page 110 Read Article Visit Gallery Website

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Balancing Reality with Freedom

This artist has developed her own special acrylic glazing technique to achieve heightened harmony in her colors.

Issue 58, Page 50

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Balancing Styles

Tanya Achilleos Lock finds her creativity flourishes by working in both realistic and impressionistic styles

Issue 112, Page 64

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Barbara Pence

Conceptual ideas

Issue 111, Page 66

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Bart Lindstrom Demonstrates

Issue 71, Page 38

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Be True to Yourself

Painting what you love is the source of energy and the road to fulfillment

Issue 10, Page 52

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Be Yourself

Harley Brown’s fascinating things no one else will tell you

Issue 159, Page 122 Read Article

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Beaman Cole, Laurin McCracken, Pat Holscher, and William Michael Yenkevich

Issue 39, Page 32

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Beatifying with the Blade

George Guzzi uses a palette knife to loosen up, build texture and body, and add crispness to his paintings

Issue 79, Page 62

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Beautiful as you are

Melissa Mallory

Issue 144, Page 112 Read Article

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Beautiful Blossoms

Kathy Anderson discusses her techniques and what inspired her to start painting florals

Issue 150, Page 24 Read Article Visit Gallery Website

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Beauty arouses beauty

Issue 31, Page 64

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Beauty in Nature

Pastel artist Debbie Graviss finds inspiration in the wonder of the surrounding world

Issue 114, Page 114

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Becoming a professional artist. Part 1: Why you must set goals

This new column by a professional art consultant will give you insight and advice on how to build a successful art career.

Issue 26, Page 20

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Becoming Ourselves

Harley Brown’s fascinating things no one else will tell you

Issue 155, Page 122 Read Article

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Before and after the watercolor workshop experience in Belgium

AndrÃ©a shares her experiences working with the Internationale Aquarel Workshops in Belgium

Issue 58, Page 78

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Before The Paint Has A Chance to Dry . . .

Allan Chow uses a wet-in-wet oil painting technique and a palette knife to abandon details in favor of simplifying shapes and value

Issue 90, Page 52

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Behind the Face

A portrait exhibition at the U.S. branch of Florence Academy of Art highlights the individual approaches to interpreting human emotions

Issue 120, Page 48

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Behind the Scenes

Prominent Chinese-American artists Z.S. Liang and Mian Situ prepare paintings for the 2013 Coeur d'Alene Art Auction

Issue 93, Page 56

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Being An Artist is A Pretty Serious Thing, Isn't It?

Issue 78, Page 125

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Being in the zone

Invoke the fluidity of watercolour to express the light that animates dynamic and fragile landscapes.

Issue 51, Page 108

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Benefits of Direct Observation

Even when working from photo references, Dominic Avant draws upon techniques used when painting from life

Issue 102, Page 72

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Bestsellers - Our new book and video buyer's guide

Issue 23, Page 147

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Bestsellers - Our new book and video buyer's guide

Issue 22, Page 145

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Bestsellers - our online guide to recommended book, video and DVD buyer's guide

Issue 42, Page 139

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