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There's a new way of painting everything

It doesn't matter if it's been done before.

Issue 21, Page 68

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There's nothing like the real thing

This Singapore artist believes painting on the spot makes for a work with that elusive transient quality - atmosphere.

Issue 12, Page 72

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There's plenty in a name

Issue 16, Page 118

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There's Something about Water

John Lovett reflects on the merits of depicting water in your paintings

Issue 86, Page 136

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Thinking Conceptually

The paintings of Alfredo Barros reach beyond the ordinary still life with geometrics

Issue 104, Page 88

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Thinking in expressive color themes

Plan your paintings with strong structure and don't be afraid to establish strong color early on

Issue 31, Page 110

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Thinking Negatively - Part 1

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 139, Page 42 Read Article

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Thinking of switching to oil paints?

This artist offers practical information and advice for any artist thinking of starting or switching to oil painting.

Issue 55, Page 108

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Third Shenzhen International Watercolour Biennial Announced

Issue 114, Page 50

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This issue we feature the work of:

Stephen Griffin, Mary Ann Viola, David Goatley, Linda Kollacks

Issue 24, Page 38

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Those Steps We Take

Harley Brown’s fascinating things no one else will tell you

Issue 140, Page 108 Read Article

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Three Basic Rules of Drawings

Robert Stollar shares his rules to learning how to draw a realistic figure with more precision

Issue 96, Page 112

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Three Blues and a Green

John Lovett has fun with mixed media by working in a limited color range

Issue 129, Page 106

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Three Point Linkage

Lee Alban divides the painting process into three stages - the drawing, the values and the color

Issue 85, Page 72

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Three specialists in their fields

Ariane Beigneux, William T Chambers, L Steven Moppert

Issue 15, Page 19

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Three-step Process

Using a refined method gives artist Catherine Hearding the framework for her paintings

Issue 136, Page 82

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Thriving in Nature

Painting from life has enhanced Daniel J. Keys' still lifes and landscapes

Issue 131, Page 46

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Thumbnail Sketches

John Lovett shares how sketches help in the creation of large-scale watercolour paintings

Issue 96, Page 108

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Tim Daniels, Sandra Nicholl, Marguerite Elliott, Gail S. Sibley, Denis Jacques, Kyle Thomson, Sam Mateer, Ginger Whellock, Hazel Monzingo and William A Schneider

Issue 39, Page 116

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Tim Rees: Alla Prima Portraits in Charcoal

Issue 129, Page 48

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Timothy Mulligan: Linear structure

Issue 156, Page 104 Read Article Visit Gallery Website

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Tips and Tricks

John Lovett shares a few of his studio tips, from brush care to ideal ways to store watercolor paper

Issue 142, Page 84 Read Article

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Tiziana Ciaghi

Moments in nature

Issue 113, Page 98

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Tiziana Ciaghi, Kim Eng Yeo, Jon Ingi Sigurmundsson and Slava Semerikov

Issue 38, Page 134

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Tjalf Sparnaay

Reinterpreting reality

Issue 120, Page 68

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To be or not to be a realist

This artist searches for meaning between abstractionism and realism.

Issue 8, Page 114

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To Gallery or Not to Gallery?

Selling your work in today’s art market

Issue 148, Page 22 Read Article

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To master light you must make a shadow plan

How to infuse your paintings with appealing luminosity and dramatic contrast.

Issue 31, Page 104

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Tom Lynch's Watercolor Secrets

Issue 13, Page 150

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Tom McNeeley, Lorraine P. Dietrich, Douglas Purdon, Neil Boyle and Frances Alty-Arscott

Issue 38, Page 130

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Tonal, Scmonal. WHO CARES!! Part 2

Patricia Moran reminds us to think about the order of visual importance when it comes to painting light and dark

Issue 66, Page 100

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Tone versus color

An artist is either good at color or good at value, but rarely good at both.

Issue 18, Page 38

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Tony Pro Demonstrates

Issue 75, Page 40

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Torero!

Paintings with a distinct dramatic tension emphasize the lonely vulnerability of the bullfighter as he prepares to meet his fate.

Issue 34, Page 94

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Torgesen Murdock

Issue 54, Page 92

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Traci Wright Martin: On Location

Explore the studios or plein air setups of some of the world’s best artists.

Issue 149, Page 117 Read Article

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Tranquil lands

Matt Angell

Issue 145, Page 104 Read Article

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Transcending the subject

This artist responds emotionally to color and light in his fine-tuned, etheral portrayal of subjects in the classic tradition.

Issue 52, Page 42

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Transforming humble scenes with light

Achieving atmosphere and emotion by juxtaposing broken color to add sparkle and interest.

Issue 45, Page 120

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Transient Stories

Collecting imagery from books and magazines as resources, Aneka Ingold expresses the unique female perspective

Issue 149, Page 88 Read Article Visit Gallery Website

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Travel Opens the Eyes and the Mind

Painting from source material is one thing, but this artist says nothing gives a painting extra dimension then being on location and taking in the sights, sounds and aromas.

Issue 60, Page 60

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