For a limited time, buy one subscription and receive a coupon code for 50% off a second subscription. Coupon is valid until December 25th, 2024.

Artist Search

Here are the results of your search...


' Issue #25
Methods and materials

Issue 25, Page 157
' Issue #47
Methods and materials

Issue 47, Page 156
' Issue #48
Methods and materials

Issue 48, Page 157
' Issue #49
Methods and materials

Issue 49, Page 158
' Issue #16
Methods and materials

Issue 16, Page 158
' Issue #34
Methods and materials

Issue 34, Page 158
' Issue #51
Methods and Materials

Issue 51, Page 159
' Issue #38
Methods and materials

Issue 38, Page 158
' Issue #40
Methods and materials

Issue 40, Page 15
' Issue #24
Methods and materials

Issue 24, Page 156
' Issue #52
Methods and Materials

Issue 52, Page 150
' Issue #33
Methods and materials

Issue 33, Page 158
' Issue #23
Methods and materials

Issue 23, Page 156
' Issue #32
Methods and materials

Issue 32, Page 158
' Issue #22
Methods and materials

Issue 22, Page 156
' Issue #37
Methods and materials

Issue 37, Page 158
' Issue #31
Methods and materials

Issue 31, Page 158
' Issue #21
Methods and materials

Issue 21, Page 158
' Issue #36
Methods and materials

Issue 36, Page 158
' Issue #56
Methods and Materials

Issue 56, Page 158
' Issue #30
Methods and materials

Issue 30, Page 158
' Issue #10
Methods and materials - A Question of Color

Issue 10, Page 152
' Issue #94
Methods to Gain Exposure

Is exposure all that's needed to start people talking?

Issue 94, Page 25
' Issue #127
Mia Bergeron: Order out of Chaos

Issue 127, Page 42
' Issue #6
Michael B. Edwards, AT Hughes, James McGregor, Kristine Nason, Christine Russell, Peter Toms and Frans Wesselman

Issue 6, Page 82
' Issue #67
Michael Shane Neal Demonstrates

Issue 67, Page 40
' Issue #134
Michael Shane Neal: Using a Photo Reference Wisely

Issue 134, Page 46
' Issue #144
Mindfulness

Harley Brown’s fascinating things no one else will tell you

Issue 144, Page 124 Read Article
' Issue #18
Minimum strokes for maximum effect

Fiddling and overworking can kill a promising watercolor.

Issue 18, Page 112
' Issue #8
Mission accomplished!

Portrait Society of America Inaugural Convention Report.

Issue 8, Page 10
' Issue #14
Mixed media - the possibilities are open

Issue 14, Page 68
' Issue #12
Mixed media using oil pastel

Try combining oil pastels with gouache washes.

Issue 12, Page 86
' Issue #11
Mixed-Media Showcase

Janet Cook-Rutnik, Ruth H. Sawatzk, Ann Zielinski

Issue 11, Page 42
' Issue #138
Mixing & Match Color

John Lovett delves into color theory and demonstrates how to properly mix pigments

Issue 138, Page 94
' Issue #49
Mixing it up

Why choose a single medium when you can use many at the same time?

Issue 49, Page 88
' Issue #40
Mixing lively, lovely neutrals

Neutral colors are essential in painting, but some neutrals can drain the energy right out of your work.

Issue 40, Page 138
' Issue #110
Mixing Realism and Abstraction

Michele Poirier Mozzone's series of underwater figures melds two styles through sunlight rays and water distortion

Issue 110, Page 106
' Issue #8
Modeling for mood

How contemporary painter Robert Ryan uses precise modeling to emphasize the mood of his deceptively simple compositions.

Issue 8, Page 108
' Issue #76
Modeling with Light and Color

Vadim Dolgov shows how to use light and colour when creating still life compositions.

Issue 76, Page 88
' Issue #153
Modes of Perception

Alex Kelly interprets the visual relationships between subjects in his artwork, using it as a springboard for creative expression

Issue 153, Page 62 Read Article Visit Gallery Website
' Issue #47
Moira Huntley

Featuring the pictorial thoughts and images of a Master Artist.

Issue 47, Page 20
' Issue #24
Monoprinting on mylar

Try free-flowing monoprints as jumping off points for landscape paintings.

Issue 24, Page 72
' Issue #26
Mood in the making

If you can master atmosphere and mood you will be able to turn ordinary paintings into art.

Issue 26, Page 88
' Issue #84
More Bang for Your Buck

John Lovett shows the merits of stretching the limits of a subject into a whole series of paintings

Issue 84, Page 136
' Issue #34
More than a picture

How a chance encounter in a New York restaurant resulted in a portrait commission.

Issue 34, Page 33
' Issue #146
More than Blue

From turquoise to green to brilliant blue, Dolores Saul demonstrates how to accurately paint the color and movement of the ocean

Issue 146, Page 104 Read Article
' Issue #50
More than just fruit

This artist aims for transparency in every layer of her work by integrating the effect of light moving across subjects into the design stage of a painting.

Issue 50, Page 54
' Issue #54
More Words from the Wise - Part II

Christine Egnoski continues her dialogue with members of the Portrait Society faculty prior to this year's May conference in Washington DC.

Issue 54, Page 27
' Issue #16
Mountains and valleys

Colored pencil ideas.

Issue 16, Page 36
' Issue #100
Multiple Methods

Using her own set of rules and knowledge of paints, Kathleen Giles combines techniques to create dramatic and realistic watercolors

Issue 100, Page 100