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All the Prize Winners in our International Artist Magazine Challenge No. 126

In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.

John Lovett shows you how to use watercolour's most powerful tool

Someone else's interpretation of art won't do. You'll simply have to stand in front of the real thing.

Jacob Collins, William Draper, Glenna Goodacre, Daniel Greene, Everett Raymond Kinstler, Richard Schmid, Burton Silverman, George Weymouth, Jamie Wyeth

Accounting is an important part of your art business. Keeping good records of your financial affairs will save you time and money in the long run.

Pablo Rubén begins his watercolors with a precise but basic drawing to establish proper perspective

Through gradually adding layers of color, Alan Woollett captures the realistic forms and feathers of birds

The pastel paintings of Alberto Piedra Fernández have strong atmosphere that is both realistic and artistic

Earlier this year John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which will end on the Margaret River in Western Australia

Earlier this year John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which will end on the Margaret River in Western Australia

John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which ended on the Margaret River in Western Australia

Mark Hobson uses fog and mist to separate areas of detail in the focal point from less important areas of the composition.

By working on a number of pieces at a time this artist draws comparisons and experiments with new creative ideas.

Before you ask the Watercolor Police to take her away for committing sacrilege, try thinking outside the watercolor box.

This plein air artist describes how seeing your subjects in a new way can help determine their essence.

John Lovett shows you how to rearrange your subject to achieve a better composition

Understanding, Light, Value and Color, Part I

Understanding Light, Value and Color, Part 2

The Sky is the Limit - Understanding Warm/Cool Theories

Deconstructing Color Constancy and Value Perception - Part 1

Deconstructing Color Constancy and Value Perception - Part 2

Deconstructing Color Constancy and Value Perception - Part 3

Trevor Neal's fetish for fine cars has inspired his unique, adventurous interpretations of a specialty art form

Behind the scenes of the latest signature work by Z.S. Liang slated for a new 2015 auction.

Creating meaningful, intriguing paintings

While many artists today concentrate on subject and content, this artist holds to the belief that the subject is merely a vehicle for self expression

This artist continues his advice on paint application and virtuosity as the mainstays of art.

Working gradually and meticulously, Linda Lucas Hardy creates her colored pencil art using the dry brush technique

Sandra Bartels moves swiftly between pastels and pastel pencils, focusing separately on each area of her subject

John Lovett shows you how to be productive even on long haul international flights

Tom Donahue interviewed this legendary artist in his New York studio.

This Chinese artist says making a painting look realistic is easy but making a painting with all the depth and emotion of a poem is Art. By Li Shan

This artist likes to think that artists, like their paintings, are always a work-in progress.

John Lovett explains the pros and cons of yellows of varying tones

An enterprising Australian artist starts her own gallery in the middle of nowhere. This is why and how she did it.