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Part 62 A Second Look
Issue 90, Page 140Part 40 What Recession?
Issue 66, Page 138Part 63 Oh, the frustrations!
Issue 91, Page 140The eyes do have it.
Issue 50, Page 154Part 57 Lost Edges and the Child's Eyes
Issue 83, Page 140Part 6: To walk and then to fly using tonal values.
Issue 32, Page 82Part 48 Four Principles that Affected Rembrandt and Van Gogh.
Issue 74, Page 140Part 58 The Moment is Here
Issue 84, Page 140Part 5: The mighty edge.
Issue 31, Page 60Going your own way.
Issue 51, Page 156Part 4: Capturing the character of birds.
Issue 30, Page 80Part 50 Questions I Ask Myself
Issue 76, Page 140Facial features
Issue 37, Page 84Abstract is the key
Issue 38, Page 100The mind's eye
Issue 40, Page 102Finally . . . liking Art.
Issue 42, Page 108Why dedication finds its own rewards.
Issue 43, Page 74Art and the Real World
Issue 54, Page 154Issue 62, Page 154
The Rugged Individual You!
Issue 65, Page 110Issue 75, Page 140
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Issue 79, Page 140
Issue 81, Page 139
If I was standing in your studio and you gave me a chance to work with you on your art, here's what might happen
Issue 82, Page 140Issue 85, Page 140
Issue 86, Page 140
Issue 87, Page 140
The happy artist. Stick Harley's 25-point list on your studio wall
Issue 36, Page 72In this special edition of Harley’s column, the passionate pastelist takes readers through the more technical aspects of his artistic approach
Issue 160, Page 50 Read ArticleA Deeply Rooted Passion Transforming the Humble into the Beautiful
Issue 75, Page 36Christine Egnoski talks to Harvey Dinnerstein, recipient of the Portrait Society of America's 2007 Gold Medal.
Issue 55, Page 26Watercolorist Roger De Muth shows us how to make compact art boxes for carrying supplies while on the go
Issue 145, Page 48 Read ArticleIssue 7, Page 78
Our professional Art Consultant answers some important questions.
Issue 44, Page 72The highlights of reflective surfaces allow Kim Starr to create unique focal points in her paintings
Issue 132, Page 60Sarah Mckendry demonstrates how to create depth, atmosphere and mood in her landscape paintings
Issue 140, Page 48 Read ArticleTodd M. Casey demonstrates his process for painting a still life using the indirect method of painting
Issue 156, Page 74 Read Article Visit Gallery WebsiteA look at the illustrious backgrounds of the Round 4 Bennett Prize jurors
Issue 158, Page 52 Read ArticleThis artist shows how she translated an inspiring rescue story into a monumental history painting commission.
Issue 60, Page 112Making your exhibition advertising work is really a matter of taking human nature into account.
Issue 45, Page 140