Search Results

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Good design creates impact

Train yourself to plan your paintings.

Issue 23, Page 100

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Good Vibrations

Striving to capture energy and rhythm, Aili Kurtis’ art sits on the edge of abstraction and realism

Issue 143, Page 90 Read Article

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Got Your Back

After 25 years in business, Raymar Art Panels continues to provide unwavering support to artists—figuratively and literally

Issue 153, Page 50 Read Article

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Grace en Plein Air

Issue 124, Page 44

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Grand Gestures

An instinctive painter, Holly Dyrland uses bold brushwork and energetic color to define her scenes

Issue 157, Page 80 Read Article Visit Gallery Website

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Graphic Images of Devon

This artist has formal training in graphic design that translates into dynamic paintings

Issue 59, Page 62

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Greg Hawke - Susan Lampinen - Jill Atkin - Mark Demsteader - Gaye Adams - Elizabeth Smith - Sara Genn - Jane Lincoln - Sheila Ablitt - Clare Money - John Paley

Issue 30, Page 92

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Gregory Mortenson: Depicting the Beauty and Triumph of the Human Spirit

Issue 117, Page 42

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Gregory Thielker

Visual perception

Issue 116, Page 74

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Grey Hues

John Lovett discusses the importance of grey in watercolour painting

Issue 117, Page 112

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Gritty Urban Super Realism

Creating powerful drawings with nothing but graphite requires a zealous eye for contrasts and patterns of light and texture.

Issue 52, Page 66

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Group dynamics

How a large group portrait can be unified into one natural, unified scene.

Issue 19, Page 104

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Group Excursions

John Lovett discusses the support provided by painting alongside a large group of artists

Issue 112, Page 124

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Guided by History

Z.S. Liang dives into the past to paint an act of kindness by Sitting Bull in Philadelphia

Issue 121, Page 62

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Hagop Hagopian - dreaming of his homeland

Meet an artist whose life and times have had a profound effect on his work.

Issue 31, Page 130

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Halima Washington-Dixon

Fresh and immediate

Issue 128, Page 80

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Hands-on Process

From the subjects to the setup to the lighting, Stefaan Eyckmans freely controls each aspect of his realistic still lifes

Issue 98, Page 88

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Haoyun Erin Zhao

Changing paths

Issue 126, Page 131

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Harboring a Flair for Precision

Peter van Nes studied chemistry but found a new chemistry in his art and a passion for the harbor

Issue 61, Page 118

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Harley Brown's eternal truths for every artist

Issue 15, Page 144

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 44 You have a Lifetime Membership!

Issue 70, Page 140

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Harley Brown's fascinating things no one else will tell you Part 15:

Taking time out to paint a world next door

Issue 41, Page 98

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Harley Brown's fascinating things no one else will tell you Part 17:

Getting personal

Issue 44, Page 98

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Harley Brown's fascinating things no one else will tell you Part 19:

A revolutionary idea.

Issue 45, Page 114

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Harley Brown's fascinating things no one else will tell you Part 20: Let me be your mentor.

Issue 46, Page 130

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Harley Brown's fascinating things no one else will tell you Part 29:

The Other Harley

Issue 55, Page 86

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Harley Brown's fascinating things no one else will tell you Part 30:

Creative momentum and you.

Issue 56, Page 154

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Harley Brown's fascinating things no one else will tell you Part 31:

Congratulations!

Issue 57, Page 152

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Harley Brown's fascinating things no one else will tell you Part 32: What is Art?

Issue 58, Page 122

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Harley Brown's fascinating things no one else will tell you Part 33: So Close

Issue 59, Page 122

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Harley Brown's fascinating things no one else will tell you Part 34: The Grand Moment

Issue 60, Page 142

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Harley Brown's fascinating things no one else will tell you Part 35: New Lesson

Issue 61, Page 154

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Harley Brown's fascinating things no one else will tell you Part 37: What goes right and sometimes wrong)

Issue 63, Page 154

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Harley Brown's fascinating things no one else will tell you Part 38: Things that work

Issue 64, Page 122

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Harley Brown's Fascinating Things No One Else Will Tell You Part 47 - New Thoughts on Art

Issue 73, Page 140

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Harley Brown's fascinating things no one else will tell you

Part 3: The color in black and white.

Issue 29, Page 50

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Harley Brown's fascinating things no one else will tell you

Part 42 Mother Nature?

Issue 68, Page 136

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Harley Brown's fascinating things no one else will tell you

Needful Things...a secret memo

Issue 52, Page 148

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Harley Brown's fascinating things no one else will tell you

Part 2: The single most important thing in art.

Issue 28, Page 50

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 43 The Main Dish

Issue 69, Page 136

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 52 The Key to your Pastel Art

Issue 78, Page 140

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Harley Brown's fascinating things no one else will tell you

Cogitations

Issue 53, Page 154

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Harley Brown's fascinating things no one else will tell you

Part 1: Harley's OO! Factor.

Issue 27, Page 74

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 45 Anatomy of a Portrait in Pastel

Issue 71, Page 140

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Harley Brown's fascinating things no one else will tell you

Is your lack of dramatic design holding you back?

Issue 47, Page 130

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Harley Brown's Fascinating Things No One Else Will Tell You

Part 54 Beyond Square One

Issue 80, Page 122

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Harley Brown's fascinating things no one else will tell you

Let me lead you gently to your wild side.

Issue 48, Page 140

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Harley Brown's fascinating things no one else will tell you

Part 9: Good ideas front and center.

Issue 35, Page 96

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Harley Brown's fascinating things no one else will tell you

Part 8: It'll only hurt a bit.

Issue 34, Page 76

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Harley Brown's fascinating things no one else will tell you

Painting Personal Portraits

Issue 49, Page 154

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