Artist Search

The mission of this self-proclaimed poet-with-a-paintbox is to show people the deeper sensibilities of nature - the things that tend to go unnoticed.

Prior planning and calculated compositions allow Theo Felizzola the freedom to paint his original concepts

Peggy Sands, David McEwan, Kavi, Jeroen Coenders, Klaus Hinkel, Andrea Matthijs, Jake Baddeley

Ulco Glimmerveen - Netherlands, Margit Kaseorg - Norway, Heli Tuhkanen - Finland, Echi Aaberg - Sweden, Jeroen Dercksen - Netherlands, Helmuth Graff - Austria, Jacek Cichon - Poland

Pulps to Portraits Norman Rockwell Museum March 10 - May 28, 2012

This artist tells how to construct a real life experience on canvas using a good camera and an even better travel tale.

Wildlife and nature artist Jon Ching shifts his imagination toward the wonders of gems and minerals

Figurative artist Haley Hasler uses the self-portrait as a vehicle for larger narrative paintings

As John Dawson constructs his pieces, the work undergoes changes and alterations

Gerald Hennessey believes that it is the slight exaggeration of shapes, colors and values that defines a painting as an individual work of art, the expression of an artist and not just a copy of reality

This artist combines her talents as both fashion design teacher and gifted artist to create exquisite images that demand attention.

Painting in a loose, impressionistic style allows Michele Usibelli to push her work to new limits

An exciting variation of a artists' device.

Don't just sketch it. Absorb it!

How to kick-start those brain-muscles.

Flex your creative muscles

These sit-ups for the brain will really get the creative juices pumping.

John Lovett reflects on preparing for his latest exhibition

Billy Seccombe discusses the impact of teaching artist residencies and workshops

The more you know and research, the more viable your artwork will be

John Lovett shows how using white gouache can enhance your paintings.

Work through the uncertainties and win the rewards

Demonstrates an experimental technique that's bursting with texture, color, symbols . . . and cobwebs.

Fresh ideas and unique approaches are all around us. All we have to do is open our minds to exploration and experimentation

Important elements that make a great Watercolor.

Through three demonstrations, Judith I. Bridgland experiments with composition, texture and patterns in landscape paintings

John Lovett shows the value of expanding upon subjects while painting

Here's how to cut yourself some watercolor slack.

Throughout his career Trevor Osborne has played with colours, leading to a multi-medium approach that yields intense and vibrant hues

The beautiful Scottish landscape distilled into shapes of colour.

John Lovett delves into the various ways palettes can be utilized in your artwork

John Lovett explores the use of black in watercolours

How to use the new crop of deepest dark pastels to create show-stoppers.

Simon Lavigne develops surreal scenes from feelings and emotions that manifest in his imagination

The Panoramic cityscapes of David Earle are explorations of light and colour

A fascinating insight into lyrical watercolors of Chinese master Tie Shan Huang.

20 artists provide insights on painting the landscape in all mediums.

Carole Baker uses colour as the prime motivator when designing a painting

Sculptor and SAS instructor Rod Zullo discusses his inspirations and artistic process

Carefully considering her palette, Natalia Karpman works toward a harmonious balance of color in her still lifes

Tatjana Mirkov-Popovicki emphasizes bold brushwork and rich texture and in her vibrant coastal scenes

John Lovett shows his glazing techniques using gesso