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' Issue #126
Controlling Color

John Lovett shares his tips for finding the right color balance in every painting

Issue 126, Page 110
' Issue #49
Controlling the light fosters a clarity of vision

This artist relishes the clarity of vision possible through the creation, use, and presentation of light being entirely within the artist's control.

Issue 49, Page 70
' Issue #124
Controlling Values

Ken Salaz shares his approach for establishing values through underpainting.

Issue 124, Page 70
' Issue #131
Conveying a Feeling

In her landscape paintings, Olga Rybalko captures the sights, smells and sounds of nature

Issue 131, Page 84
' Issue #47
Conveying the colorful magic of nature

The simple approach to portraying rhythm and light.

Issue 47, Page 66
' Issue #73
Copying To Learn Techniques

What are your strengths? What are you weaknesses? Neil Miley advises you to try an exercise in copying to find out.

Issue 73, Page 98
' Issue #8
Cornwall's multiple personality

How Margo Maeckleberghe, Mary Martin, Nicholas St John Rosse and Dick Twinney deal with this magical, mysterious area.

Issue 8, Page 58
' Issue #90
Could You Be More Productive?

Learn and apply a process that makes a habit of increasing your productivity

Issue 90, Page 135
' Issue #6
Could you use some wow factor!

Great paintings come from great references

Issue 6, Page 18
' Issue #43
Courage has no gender

It is not only men who wear the bullfighter's "suit of lights".

Issue 43, Page 68
' Issue #126
Cracking the Plein Air Code

Chan Dissanayake discusses how to tackle and succeed at painting "on location" with these informative "hands on" demonstrations

Issue 126, Page 102
' Issue #60
Create a visual dialogue in pastel

This artist's pastels are all about capturing the sublime moments when she makes a palpable connection with her subjects.

Issue 60, Page 124
' Issue #106
Creating a "Wow" in Watercolor

Tom Lynch creates works of art where the mood, or "wow" factor, has the greatest impact

Issue 106, Page 110
' Issue #82
Creating a Convincing Alternate Reality

Dana Levin evokes poetry in realism through meticulous attention to how a painting is finished

Issue 82, Page 62
' Issue #54
Creating a Grand Illusion

Finding the right medium allowed this artist to master the exquisite detail he was seeking.

Issue 54, Page 122
' Issue #110
Creating a Print

Insight on one process used for producing an etching based on a series of monotypes

Issue 110, Page 44
' Issue #85
Creating a Series

John Lovett shows the merits of stretching the limits of a subject into a whole series of paintings

Issue 85, Page 136
' Issue #55
Creating a timeless aesthetic

This artist's love of the classical style means her beautiful images will be objects of joy forever.

Issue 55, Page 34
' Issue #152
Creating Ambiance

Mona Parker Weidner selects colors palettes and light sources that emphasize the mood of her interior scenes

Issue 152, Page 98 Read Article
' Issue #75
Creating an Oil Study for a Larger Work

Gary J. Hernandez recommends doing a head study first, when faced with the challenge of a figurative painting.

Issue 75, Page 42
' Issue #90
Creating Compelling Images: An Interview with Koo Schadler

Koo Schadler is an American Master of the egg tempura medium

Issue 90, Page 68
' Issue #94
Creating Complexity

Daniel J. Keys finds clarity and vision for his compositionally-driven still life paintings

Issue 94, Page 68
' Issue #127
Creating Composition: A Critical Necessity

Issue 127, Page 36
' Issue #93
Creating Depth

Cindy Sorley-Keichinger layers acrylics then drybrushes details to produce illusions of depth

Issue 93, Page 92
' Issue #140
Creating Emphasis

Working from dark to light colors, Pamela Hamilton’s pastel paintings feature the smallest and brightest marks at the focal point

Issue 140, Page 72 Read Article
' Issue #55
Creating excitement and texture with palette knives

This artist tried palette knife painting and discovered its bold, fresh look suited her style perfectly.

Issue 55, Page 78
' Issue #115
Creating Glamour with Metalpoint

Join the world revival of this art form by learning from this "Living Master" of the medium Gordon Hanely

Issue 115, Page 118
' Issue #4
Creating impact with a toned canvas

An open-and-shut case for working with a toned background.

Issue 4, Page 52
' Issue #21
Creating impressionistic landscapes in oil

Let's see what happens when we borrow some ideas from the Impressionists.

Issue 21, Page 100
' Issue #96
Creating Intense Lighting

Artist Escha van den Bogerd has found that the most important aspect of her work is how the model is lit

Issue 96, Page 94
' Issue #28
Creating my own reality

Using a personal alphabet to create the reality in ambiguous paintings.

Issue 28, Page 24
' Issue #3
Creating symbolic pastel in the heartland

The secret life of Australia is hidden in the folds and crevices of its landscape.

Issue 3, Page 124
' Issue #95
Creating the Illusion of Depth with Lost and Found Edges

Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions

Issue 95, Page 116
' Issue #31
Creating timeless watercolors

Combining Japanese traditions with western techniques to distil and capture the essence of subjects.

Issue 31, Page 118
' Issue #150
Creative Process

Harley Brown’s fascinating things no one else will tell you

Issue 150, Page 122 Read Article
' Issue #152
Creative Spark

Issue 152, Page 126 Read Article
' Issue #153
Creative Spark

Issue 153, Page 126 Read Article
' Issue #154
Creative Spark

Issue 154, Page 126 Read Article
' Issue #155
Creative Spark

Issue 155, Page 126 Read Article
' Issue #156
Creative Spark

Issue 156, Page 126 Read Article
' Issue #157
Creative Spark

Issue 157, Page 126 Read Article
' Issue #158
Creative Spark

Issue 158, Page 126 Read Article
' Issue #159
Creative Spark

Issue 159, Page 126 Read Article
' Issue #149
Creative Spark

Issue 149, Page 126 Read Article
' Issue #160
Creative Spark

Issue 160, Page 126 Read Article
' Issue #150
Creative Spark

Issue 150, Page 126 Read Article
' Issue #151
Creative Spark!

Issue 151, Page 126 Read Article
' Issue #157
Crisp forms: Rebecca Neundorf

Issue 157, Page 114 Read Article Visit Gallery Website
' Issue #148
Critical Thinking

Watercolorist Ted Nuttall chats about how he grew into an artist and a teacher

Issue 148, Page 26 Read Article
' Issue #57
Cross-discipline talent

This artist alerts you to the many possibilities that await you when you try out your talent in unfamiliar mediums.

Issue 57, Page 54