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' Issue #34
Classifieds

Issue 34, Page 160
' Issue #51
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Issue 51, Page 160
' Issue #82
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Issue 82, Page 144
' Issue #38
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Issue 38, Page 160
' Issue #24
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Issue 24, Page 160
' Issue #52
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Issue 52, Page 159
' Issue #40
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Issue 40, Page 160
' Issue #91
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Issue 91, Page 144
' Issue #65
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Issue 65, Page 144
' Issue #33
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Issue 33, Page 161
' Issue #83
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Issue 83, Page 144
' Issue #23
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Issue 23, Page 160
' Issue #73
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Issue 73, Page 144
' Issue #64
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Issue 64, Page 144
' Issue #32
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Issue 32, Page 160
' Issue #74
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Issue 74, Page 144
' Issue #57
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Issue 57, Page 158
' Issue #14
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Issue 14, Page 160
' Issue #84
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Issue 84, Page 144
' Issue #22
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Issue 22, Page 160
' Issue #63
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Issue 63, Page 160
' Issue #37
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Issue 37, Page 159
' Issue #31
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Issue 31, Page 60
' Issue #75
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Issue 75, Page 144
' Issue #85
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Issue 85, Page 144
' Issue #13
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Issue 13, Page 160
' Issue #62
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Issue 62, Page 160
' Issue #21
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Issue 21, Page 160
' Issue #36
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Issue 36, Page 159
' Issue #56
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Issue 56, Page 160
' Issue #37
Claude Poulin, Kathy E. Swift, Andrew Kiss, Ian Sparks, Zelda Faye Nelson, George Bates and J. Alison Robichaud

Issue 37, Page 114
' Issue #145
Clean and Crisp

Liz Shippam creates sharp, realistic botanical art in watercolor by building up layers of paint

Issue 145, Page 98 Read Article
' Issue #139
Clean, Geometric and Precise

John Lovett demonstrates the various uses and advantages of long flat brushes

Issue 139, Page 72 Read Article
' Issue #129
Coastal Connections

Living by the coast, Renay Shaffer has found inspiration through her firsthand experiences

Issue 129, Page 110
' Issue #106
Cohesive Compositions

Eric Wert explains his process for linking foreground and background elements to create highly detailed still lifes

Issue 106, Page 54
' Issue #95
Collaborating on Concepts

Husband-and-wife Hans and Beth (de Loiselle) Guerin constantly push one another leading to new and challenging projects

Issue 95, Page 66
' Issue #157
Collaborative Environment

In this special edition of Beyond the Palette, we asked Scottsdale Artists’ School executive director Trudy Hays a few of our own questions—about the benefits of art school, community and more

Issue 157, Page 48 Read Article
' Issue #50
Collage - the cut and dried methodology of texture

When there were no readily obtainable art supplies this artist discovered collage.

Issue 50, Page 68
' Issue #141
Collecting vs Investing

Understanding the differences between those who collect and those who invest in art can make a major impact on your art career

Issue 141, Page 21 Read Article
' Issue #34
Color - the artist's final frontier

Suggesting the authentic qualities of light itself.

Issue 34, Page 134
' Issue #77
Color and Light: A Guide for the Realist Painter

James Gurney's new book is the book every artist has been waiting for

Issue 77, Page 60
' Issue #25
Color for the color challenged

There is a solution to color difficulties - even if you're color blind like this artist.

Issue 25, Page 96
' Issue #48
Color is the key to vibrant floral compostitions

This artist uses color to compose realistic traditional floral still lifes.

Issue 48, Page 98
' Issue #29
Color makes the picture

Working in the studio allows this land and seascape painter a chance to find the abstract qualities and underlying structures of the scene.

Issue 29, Page 110
' Issue #120
Color Pouring and Blending

Lian Quan Zhen captures the impressions of a scene through his method of mixing pigments

Issue 120, Page 88
' Issue #11
Color Relationships

My, my, this artist starts with darks!

Issue 11, Page 118
' Issue #34
Color, nature and imagination

This master artist explains why nature is the ultimate teacher and master of color juxtaposition.

Issue 34, Page 58
' Issue #17
Color: one is too few, two is too many

See what happens when you're forced to focus on value and contrast.

Issue 17, Page 98
' Issue #123
Colored Pencil Comes of Age in the International Art World

Issue 123, Page 78
' Issue #129
Colored Pencil Society of America's 27th annual International Exhibition

Issue 129, Page 29