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' Issue #106
Using Objects in Multiple Compositions

Claudia Seymour demonstrates how to use the same items to create varied, stand-alone still life setups

Issue 106, Page 84
' Issue #44
Using pastel, watercolor and ink to suggest the patina of ancient texture

Issue 44, Page 90
' Issue #127
Using References to Paint the Details

Photographic references allow Diane Davich-Craig to hone in on the fine details of her paintings

Issue 127, Page 56
' Issue #108
Using Salt with Watercolour

To create unique texture in her watercolours, artist Wendy Mould uses slat to draw out pigments

Issue 108, Page 102
' Issue #97
Using Soft Pastels to Capture Atmosphere

Coastal scenes and landscapes allow pastel artist Ros Harvey to create works full of color and light effects

Issue 97, Page 112
' Issue #56
Using strong patterns and narrative to create powerful images

This artist uses high contrast and movement to design her dynamic figure compositions.

Issue 56, Page 78
' Issue #107
Utilizing a Composite Design

Watercolorist Hank Pulkowski combines elements from three or more photos to create painting compositions

Issue 107, Page 78
' Issue #92
Utilizing Indirect Method

Still life artist Sadie J. Valeri works in distinct stages when painting

Issue 92, Page 56
' Issue #109
Utilizing Plein Air References

Sketches and photos from working on location aid Mostafa Keyahni in larger studio pieces

Issue 109, Page 76
' Issue #55
Utilizing simplicity and complexity in traditional landscapes

This artist's designed compositions are visual statements created by joining simple elements with complex tonal and textural patterns, infused with the clever use of light

Issue 55, Page 142
' Issue #113
Utilizing Transparent Washes

David Kitler applies transparent washes over opaque textures to breathe life into his acrylic paintings

Issue 113, Page 102
' Issue #32
Van Gogh made me do it!

The wonderful world of color and shape.

Issue 32, Page 130
' Issue #16
Variations on a theme

Does repeatedly painting the same motifs lead to better work?

Issue 16, Page 60
' Issue #93
Variety Creates Balance

Timothy Rees guides viewers through his paintings by thinking of opposition in components such as size, color and brushstroke application

Issue 93, Page 66
' Issue #145
Vast skies

Charlotte Elizabeth

Issue 145, Page 112 Read Article
' Issue #51
Vasudeo Kamath

Christine Egnoski talked to the Grand Prize winner who had travelled all the way from India.

Issue 51, Page 27
' Issue #140
Veneta Docheva: Expression and flow

Issue 140, Page 78 Read Article
' Issue #36
Vicky Brophey, Doug Patterson, Robert Jennings, Joann Quinlivan, Linda Marsh, Kay Ridge and Claire Martin

Issue 36, Page 86
' Issue #118
Victoria Herrera

Creating harmony

Issue 118, Page 88
' Issue #110
View from the Top

Kathleen Lack paints figurative scenes from a unique vantage point in her series of works

Issue 110, Page 50
' Issue #108
Views form Above

Mark Laguë paints aerial perspectives of some of the world's most recognized cities and landmarks

Issue 108, Page 46
' Issue #150
Vintage subjects

Issue 150, Page 106 Read Article Visit Gallery Website
' Issue #146
Violet Bohemian

Issue 146, Page 42 Read Article
' Issue #136
Virtual Art Academy

Simplifying Complex Forms & The Fountain, Chianciano, Terme, Italy

Issue 136, Page 106
' Issue #137
Virtual Art Academy

Making Grays & Isola del Tino, Cinque Terre, Italy

Issue 137, Page 106
' Issue #138
Virtual Art Academy

Color Maps & Lerici Harbor

Issue 138, Page 106
' Issue #69
Visions of an Unknown Land

Raymond Quenneville takes elements from countries near and far to create his mystical landscapes in oils

Issue 69, Page 100
' Issue #39
Visual brainstorming for multiple elements

How multiple pictures-within-a-picture tell a unique story

Issue 39, Page 52
' Issue #152
Visual Depth

Blending and smoothing with solvents, Holly Siniscal creates painterly portraits in colored pencil

Issue 152, Page 92 Read Article Visit Gallery Website
' Issue #19
Visual excitement and spiritual connection

See how a connection with Canada's wildest places manifests itself in poetic, soulful paintings.

Issue 19, Page 88
' Issue #33
Visual imaging and how you can use it to express emotional content

Issue 33, Page 68
' Issue #150
Visual Paths

George Tsakiris concentrates on the relationships and interplay between objects in his still lifes

Issue 150, Page 86 Read Article
' Issue #145
Visual Poetry

Acrylic painter Lorena Kloosterboer’s symbolic still lifes are charged with energy and motion

Issue 145, Page 62 Read Article
' Issue #45
Vitality is my creative quest

Four keys for creating paintings that pulsate with life and energy: design, atmosphere, color and brushwork.

Issue 45, Page 84
' Issue #84
Vivid in Essence

In his transition from oils to acrylics, Alfred Nicols has found that simplicity fosters powerful landscapes

Issue 84, Page 92
' Issue #34
Voyage to Antarctica

One of the world's last great art adventures.

Issue 34, Page 104
' Issue #55
Wade's Watercolor World

In this series of articles this world renowned artist shares his travels, watercolors and experiences. In this issue he explores Morocco.

Issue 55, Page 152
' Issue #53
Wade's Watercolor World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores Italy.

Issue 53, Page 62
' Issue #54
Wade's Watercolor World

In this series of articles this world renowned artist shares his travels,watercolors and experiences. In this issue he explores England.

Issue 54, Page 104
' Issue #61
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores Australia

Issue 61, Page 140
' Issue #60
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores Buildings & Boats in USA

Issue 60, Page 146
' Issue #59
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores GOLF

Issue 59, Page 144
' Issue #58
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores China

Issue 58, Page 142
' Issue #57
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolors and experiences. In this issue he explores India.

Issue 57, Page 118
' Issue #56
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolors and experiences. In this issue he explores France.

Issue 56, Page 118
' Issue #62
Wade's Watercolour World

In this series of articles this world renowned artist shares his travels, watercolours and experiences. In this issue he explores The US Virgin Islands

Issue 62, Page 140
' Issue #17
Wake up call

What is it we are doing when we create a likeness?

Issue 17, Page 118
' Issue #90
Warren Chang: Narrative Paintings

Issue 90, Page 82
' Issue #98
Wash Over White

In four demonstrations, John Stephens provides tips on how to get smooth blends with acrylics by scumbling and glazing

Issue 98, Page 98
' Issue #90
Water Soluble Pigment

John Lovett shows us the versatility of water soluble pigments

Issue 90, Page 136