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This artist says its not what you do, but 'what is' that counts in the creation of mood.
Issue 57, Page 64Sarah Wood turned to botanical art to satisfy her drive for a precise way to paint
Issue 86, Page 70Daniel Brient's traditional art education has helped guide his paintings
Issue 108, Page 78After a career in architectural rendering, Marilyn Liedman now paints as much as possible on location to use all the elements available in nature
Issue 91, Page 86Jessica Jane carefully chooses the color of her underpainting to achieve the desired effect in her paintings
Issue 143, Page 102 Read ArticleThe President of The Royal Watercolour Society presents a showcase of it's members work.
Issue 56, Page 86Creating harmony between forms, colors, lines, texture, spaces and abstract content
Issue 26, Page 138There are many tried and true technique which have been almost lost to today's artists. Marina Dieul shows us the simple but effective 'trois crayons' approach to capturing tonal values
Issue 66, Page 76An accidental discovery while trying to fix a failed watercolor became a eureka moment for Eric Michaels
Issue 64, Page 62Master painter Richard Schmid takes us stage by stage through his 'Selective Start' method of painting
Issue 96, Page 48How personal engagement with subjects drives an artist to paint
Issue 104, Page 50A thorough understanding of simplified shapes and values allows Catherine Bobkoski to capture the intricacy of her subjects
Issue 146, Page 60 Read ArticleA fascination with reflections and the ever changing form and pattern of water.
Issue 40, Page 82using a sketchbook as a tool in the creative process for studio paintings
Issue 111, Page 48Instead of focusing on the negative aspects of city life, this artist creates cityscapes that show the heart and soul.
Issue 44, Page 48Observe, understand, sketch and, yes, use your camera.
Issue 37, Page 72Round color wheel, square palette, sorry, this does not compute! Read all about in color mixing method that relates the color wheel to a circular palette.
Issue 1, Page 22There is so much that has an impact on the process of creating a watercolor that it is always full of surprises.
Issue 45, Page 68Four top Artist/Illustrators share their thoughts
Issue 79, Page 40There's more to success than gimmicks.
Issue 14, Page 80Three specific primaries can be the keys to color harmony.
Issue 20, Page 26Jerry Markham strikes a balance between individualism and realism
Issue 78, Page 68Some purists believe gouache should never be used in a watercolor, but this Australian master proves that it certainly has its uses
Issue 22, Page 92Ideas come from many sources, you just have to stay attuned and put some effort into working them out.
Issue 29, Page 86James Gurney presents numerous scenarios in which tracing paper can be an essential resource for artists
Issue 145, Page 26 Read ArticleThe Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting
Issue 140, Page 44 Read ArticleThis artist details the merits of connecting with his subjects and describes the advantages of live sittings and the heartache of parting with his renditions of reality.
Issue 46, Page 134Brienne M. Brown delves into the importance of creating value sketches before embarking on a new piece
Issue 160, Page 98 Read Article Visit Gallery WebsiteA journey of exploration and self-discovery has led colored pencil artist Jesse Lane into the depths of imaginative realism
Issue 149, Page 48 Read Article Visit Gallery WebsiteIn this new 6 part series international artist Tony Foster will take you on a journey to exciting destinations around the world
Issue 67, Page 62Sue Kemp, Elsabe Valcke, Valerie Christie
Issue 24, Page 114Why much traveled artist, Robert A. Wade has earned himself the title of Unofficial World Ambassador of Watercolor.
Issue 1, Page 6Secret place number 5: USA: Port Clyde in Maine
Issue 12, Page 146Secret place number 9: Robin Hood's Bay, North Yorkshire, UK.
Issue 16, Page 142Portugal: The flower markets of Caldas da Rainha
Issue 8, Page 150International Artist magazine's very own artist retreat in Italy
Issue 11, Page 156Great masterpieces of art recreated live, before your very eyes.
Issue 15, Page 14How to work with the relationships that exist between line, tone, color and edge.
Issue 43, Page 60