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' Issue #57
The promise of something more

This artist says its not what you do, but 'what is' that counts in the creation of mood.

Issue 57, Page 64
' Issue #86
The Pure Inspiration of Raindrops

Sarah Wood turned to botanical art to satisfy her drive for a precise way to paint

Issue 86, Page 70
' Issue #108
The Realist Tradition

Daniel Brient's traditional art education has helped guide his paintings

Issue 108, Page 78
' Issue #91
The Reality of What You See

After a career in architectural rendering, Marilyn Liedman now paints as much as possible on location to use all the elements available in nature

Issue 91, Page 86
' Issue #143
The Right Tones

Jessica Jane carefully chooses the color of her underpainting to achieve the desired effect in her paintings

Issue 143, Page 102 Read Article
' Issue #56
The Royal Watercolour Society

The President of The Royal Watercolour Society presents a showcase of it's members work.

Issue 56, Page 86
' Issue #150
The Scholar

Issue 150, Page 38 Read Article
' Issue #26
The search for abstract beauty

Creating harmony between forms, colors, lines, texture, spaces and abstract content

Issue 26, Page 138
' Issue #66
The Secret of the 3 Crayons

There are many tried and true technique which have been almost lost to today's artists. Marina Dieul shows us the simple but effective 'trois crayons' approach to capturing tonal values

Issue 66, Page 76
' Issue #64
The Secret of the Inner Glow

An accidental discovery while trying to fix a failed watercolor became a eureka moment for Eric Michaels

Issue 64, Page 62
' Issue #96
The Selective Start

Master painter Richard Schmid takes us stage by stage through his 'Selective Start' method of painting

Issue 96, Page 48
' Issue #104
The Selfish Artist

How personal engagement with subjects drives an artist to paint

Issue 104, Page 50
' Issue #125
The Sequence of Beauty

Issue 125, Page 46
' Issue #146
The Shape of Petals

A thorough understanding of simplified shapes and values allows Catherine Bobkoski to capture the intricacy of her subjects

Issue 146, Page 60 Read Article
' Issue #40
The shape of water

A fascination with reflections and the ever changing form and pattern of water.

Issue 40, Page 82
' Issue #111
The Sketchbook: A Powerful Influence

using a sketchbook as a tool in the creative process for studio paintings

Issue 111, Page 48
' Issue #18
The smartest sketchbook is a dummy!

This artist is starting a new trend.

Issue 18, Page 88
' Issue #44
The Soul of the City

Instead of focusing on the negative aspects of city life, this artist creates cityscapes that show the heart and soul.

Issue 44, Page 48
' Issue #37
The split-second truths about wildlife art

Observe, understand, sketch and, yes, use your camera.

Issue 37, Page 72
' Issue #130
The Still Life

A look at Richard Schimd's newest book on still life painting

Issue 130, Page 48
' Issue #16
The storyteller's checklist

Ask yourself these pertinent questions.

Issue 16, Page 42
' Issue #1
The strange case of the square peg in the round hole

Round color wheel, square palette, sorry, this does not compute! Read all about in color mixing method that relates the color wheel to a circular palette.

Issue 1, Page 22
' Issue #45
The surprising process of watercolor

There is so much that has an impact on the process of creating a watercolor that it is always full of surprises.

Issue 45, Page 68
' Issue #79
The Thought Processes of 4 Top Artist / Illustrators

Four top Artist/Illustrators share their thoughts

Issue 79, Page 40
' Issue #14
The three Cs - color, composition and concept

There's more to success than gimmicks.

Issue 14, Page 80
' Issue #20
The tri-hue color system

Three specific primaries can be the keys to color harmony.

Issue 20, Page 26
' Issue #78
The True Voice of Your Interpretation

Jerry Markham strikes a balance between individualism and realism

Issue 78, Page 68
' Issue #22
The truth about gouache

Some purists believe gouache should never be used in a watercolor, but this Australian master proves that it certainly has its uses

Issue 22, Page 92
' Issue #29
The unpredictable nature of inspiration

Ideas come from many sources, you just have to stay attuned and put some effort into working them out.

Issue 29, Page 86
' Issue #145
The Uses of Tracing Paper

James Gurney presents numerous scenarios in which tracing paper can be an essential resource for artists

Issue 145, Page 26 Read Article
' Issue #140
The Value of a Notan - Part 2

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 140, Page 44 Read Article
' Issue #46
The value of falling in love with your subject

This artist details the merits of connecting with his subjects and describes the advantages of live sittings and the heartache of parting with his renditions of reality.

Issue 46, Page 134
' Issue #160
The Value of Planning

Brienne M. Brown delves into the importance of creating value sketches before embarking on a new piece

Issue 160, Page 98 Read Article Visit Gallery Website
' Issue #149
The Voyage

A journey of exploration and self-discovery has led colored pencil artist Jesse Lane into the depths of imaginative realism

Issue 149, Page 48 Read Article Visit Gallery Website
' Issue #38
The watercolors of American artist Thomas Sgouros

Issue 38, Page 42
' Issue #67
The Watercolours of Tony Foster

In this new 6 part series international artist Tony Foster will take you on a journey to exciting destinations around the world

Issue 67, Page 62
' Issue #24
The work of the Watercolour Society of South Africa

Sue Kemp, Elsabe Valcke, Valerie Christie

Issue 24, Page 114
' Issue #1
The world is my studio

Why much traveled artist, Robert A. Wade has earned himself the title of Unofficial World Ambassador of Watercolor.

Issue 1, Page 6
' Issue #12
The world's secret painting places

Secret place number 5: USA: Port Clyde in Maine

Issue 12, Page 146
' Issue #29
The world's secret painting places

Secret place number 21 Toledo, Spain.

Issue 29, Page 144
' Issue #16
The world's secret painting places

Secret place number 9: Robin Hood's Bay, North Yorkshire, UK.

Issue 16, Page 142
' Issue #9
The world's secret painting places

Belgium: Leuven

Issue 9, Page 156
' Issue #15
The world's secret painting places

Secret place number 8: Perouges, France

Issue 15, Page 28
' Issue #8
The World's Secret Painting Places

Portugal: The flower markets of Caldas da Rainha

Issue 8, Page 150
' Issue #14
The world's secret painting places

Secret place number 7: Chioggia, Italy.

Issue 14, Page 140
' Issue #13
The world's secret painting places

Secret place number 6: Taxco, Mexico.

Issue 13, Page 142
' Issue #11
The World's secret painting places .

International Artist magazine's very own artist retreat in Italy

Issue 11, Page 156
' Issue #10
The World's Secret Painting Places, France: Dinan in Brittany

Issue 10, Page 150
' Issue #15
Theater meets art history

Great masterpieces of art recreated live, before your very eyes.

Issue 15, Page 14
' Issue #43
Theory of relativity

How to work with the relationships that exist between line, tone, color and edge.

Issue 43, Page 60