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'Straight Line Approximation' and Key Discoveries in Practice
Issue 89, Page 124Flattening Values and Put More Detail in One Area
Issue 92, Page 138Secondary Color Harmonies & A Kasakh Farmhouse in Tianshan
Issue 125, Page 126Wet Painting Carriers & Italy, Florence, The Arno
Issue 126, Page 138Iridescence and Shimmering Water & Day at the Beach
Issue 127, Page 138Issue 53, Page 152
'Block Studies' & 'Impasto Brushstrokes for Texture'
Issue 84, Page 124The step-by-step development of Mian Situ's latest materpiece for the Jackson Hole art auction
Issue 82, Page 86Self scrutinty can produce paintings that communicate on a much higher level.
Issue 14, Page 60Four artists, linked through mentorship, explain the value of sharing techniques and insights
Issue 105, Page 56What does it mean to be an artist? We discover two distinct elements.
Issue 12, Page 10Jette van der Lende uses her thought provoking mirror paintings to show how the ideal is very different to the reality
Issue 70, Page 104Who would have thought that the Chinese would have mastered oil painting and turned it into a kind of "Chinese Painting" in its own right?
Issue 2, Page 138Increase your chances of success by learning to establish the correct values and colors in the very first stage as this artist demonstrates how effectively this works.
Issue 54, Page 72Ever wondered how top painters get such translucent, clean color?
Issue 6, Page 116Figurative artist Craig Pursley discusses his experience working with the same model for six years, in which he produced over 100 paintings
Issue 146, Page 44 Read ArticleAlways striving for accuracy, Heidi Willis bring the natural world to life in her watercolor paintings
Issue 157, Page 86 Read Article Visit Gallery WebsiteThe fjords and the northern lights provide ample opportunity to use flowing color for glowing light effects.
Issue 38, Page 120From still life to figurative work, Laura Thompson defines the why and how of her paintings
Issue 110, Page 66Colt Idol imbues saturated colors and high value contrast into his dynamic Western art
Issue 158, Page 58 Read Article Visit Gallery WebsiteJacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Issue 159, Page 68 Read Article Visit Gallery WebsiteHarley Brown’s fascinating things no one else will tell you
Issue 139, Page 108 Read ArticleLearn the tonal oil painting approach and you will be able to paint any subject
Issue 7, Page 154Here's what to do when you need a reference in a hurry, but want more than a photograph can provide.
Issue 29, Page 40Why interior architecture is such a potent subject and how to aesthetically harness the mysterious inner sanctum of the man-made environment.
Issue 49, Page 108Daniel Goldenberg turns 'nothing into something' by seeking mystery in realism
Issue 77, Page 114It may be our responsibility to make the sitter an ally and to plan the journey together.
Issue 24, Page 40Our UK editor bares his soul to give you his candid appraisal of the workshop scene in Europe.
Issue 3, Page 52In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting
Issue 142, Page 46 Read ArticleThis artist doesn't strive to give his works meaning, instead he relies on the power of light and place to give the mind pause and let the heart rest awhile.
Issue 4, Page 120Guy-Anne Massicotte's still life realism flirts with abstraction, creating a beautiful tension
Issue 83, Page 98After this artist found an ancient indian arrowhead in the dirt, painting objects from the past became a way of life.
Issue 14, Page 42Fergus A. Ryan's detailed, mystical, and melancholic paintings are inspired by transcendental themes
Issue 85, Page 100Part 8: Framing questions and answers. Is it possible to save money on framing costs?
Issue 33, Page 126Provide a guarantee and you'll guarantee sales
Issue 37, Page 126