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Investigating a scene

The Right Color in the Right Place in the Right Manner

Our Special Report on the Portrait Society of America Conference.

A series where we take a look into the lives of some of the world's most noted artists

Receiving the highest honour from the Portrait Society of America, we take a look at some of his work

The first part of a three part series in which Amy Sanders guides us through her creative process.

Yvon Chartrand considers the challenge in still life is creating a painting from nothing, which requires the artist to look within for an emotive response.

The spriritual paintings of Aboriginal artist Walangari Karntawarra have their roots in ancient tribal art.

John Lovett discusses the importance of compositional elements

Find the perfect place for your painting's focal area using this easy visualization technique.

Why you shouldn't use every color you possess.

Zamfir Dumitrescu applies alternating layers of color and retouch varnish to achieve his own particular ovarlapping style

Everybody's doing it.

John Lovett shows us how to develop impactful focal points by creating sketches and balancing values

Focusing on what lies ahead in your art career can help make you more productive and prosperous.

Multidisciplinary wildlife artist Daniel Wilson breaks down his processes for working in charcoal and acrylic

Watercolorist Dianne Sutherland uses dry brushwork to create depth and detail in her botanical art

Don't do it, even if your life depends on it.

Instructions for finding the fun subjects, techniques and media that will restore your passion for painting.

Generosity in art means letting others in on the great secrets

Nothing could be finer than outdoor painting in North Carolina - except when someone thinks you're trespassing.

Interpretation of your subject

A trip to Venice.

Starting in this issue, this noted Australian artist shows his approach to rendering the effects of outdoor light and atmosphere.

This month we go to Ashville, North Carolina to watch this artist capture the beautiful fall colors on location.

Kasey Sealy explains why you should prepare your mind and your materials before applying paint to canvas

Kasey Sealy recommends you paint several small panels every week to stop your oil paintings going stale

A Plein Air Painter's Figurative Work

Plein air artist Michael King explores elements unique to painting in the field in this three-part series.

This artist explains vital tips for painting on location, and recounts the joys and surprises of his trip to Oaxaca.

Kasey Sealy reminds you to always ask yourself three important questions

Song Qing translates the beauty of ordinary scenes through composition, color and brushwork

Naret seduces our senses with chromatic color and lashings of texture.

A strong focal point and attention to detail make Nicola Jane’s artwork jump off the page