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' Issue #71
Part 27: 'Space Division' and 'Hue and Temperature'

Issue 71, Page 124
' Issue #60
Part 3 Pursuing an Artist's Life behind the easel

A 7 part series that takes you into the world of the art student.

Issue 60, Page 46
' Issue #155
Part 3 Mineral vs. Modern Pigments

In this three-part series, Todd M. Casey provides a deeper understanding of the properties of pigments in oil painting

Issue 155, Page 50 Read Article
' Issue #83
Part 3 Landscape Painting with Oil and watercolor

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 83, Page 54
' Issue #141
Part 3 The Mechanics of Water

The Way of Watercolor: In this four-part series, Stephen Berry lends his thoughts and expertise in the realm of watercolor painting

Issue 141, Page 40 Read Article
' Issue #81
Part 4 Anatomy of a Pastiche

The final in this series where Keith Cardnell shows us how copying the classics can help build confidence so you can tackle projects you might otherwise think are way beyond your ability

Issue 81, Page 102
' Issue #84
Part 4 Selecting a Surface for Your Subject

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 84, Page 52
' Issue #68
Part 4 The Professional Watercolourist The Joy Comes From Painting For Its Own Sake

In the 5-part series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolorist

Issue 68, Page 112
' Issue #70
Part 5 The Professional Watercolourist Build Yourself to Build Your Business

In the final part in this series master watercolour artist Tony Smibert outlines a route for charting a career as a successful watercolourist

Issue 70, Page 23
' Issue #85
Part 5 Watercolor Paper and Boards

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 85, Page 84
' Issue #86
Part 6 Surfaces for Oils

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 86, Page 58
' Issue #50
Part 7

Part 7: 'How to Make a Large Palette' and 'Unequal Space Division'

Issue 50, Page 18
' Issue #87
Part 7 The Theory of Art

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 87, Page 44
' Issue #88
Part 8 The S-Design and the Circle Design

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 88, Page 52
' Issue #89
Part 9 Design Concepts

Readers are in for a treat in the months to come as you enjoy this regular column by award winning all media artist Bill James

Issue 89, Page 46
' Issue #34
Part 9: What the buyer thinks, goes!

If you are considering offering a discount on your paintings? Think again!

Issue 34, Page 130
' Issue #128
Pashk Pervathi

The changing seasons

Issue 128, Page 76
' Issue #102
Passion & Skill

Russian photorealist painter Serge Marchennikov shares his techniques and inspirations

Issue 102, Page 46
' Issue #8
Passion + planning = productivity

Monique Sakellarios tells why it's not enough to be passionate about painting.

Issue 8, Page 22
' Issue #116
Passion in Painting

Kitty Kelly aims for viewers to feel as if they can reach out and touch her work, as well as feel the emotion behind the painting

Issue 116, Page 120
' Issue #40
Passion is a prerequisite

Passion shows in your choice of subjects, the thought you put into portraying them and your willingness to take risks.

Issue 40, Page 52
' Issue #133
Past and Present

Compositions from two ongoing series celebrate people and places throughout history

Issue 133, Page 54
' Issue #65
Past relationships can be hidden assets

Issue 65, Page 28
' Issue #76
Past Relationships can be Hidden Assets

Issue 76, Page 24
' Issue #34
Pastel - make colored backgrounds work for you

Try this labor-saving method and add excitement to your pastel painting at the same time.

Issue 34, Page 80
' Issue #33
Pastel Harley Brown's fascinating things no one else will tell you

Part 7: My 5 senses worth

Issue 33, Page 98
' Issue #52
Pastel or Oil?

This artist debates which medium to use, and concludes that his approach with color and light is fundamentally similar.

Issue 52, Page 50
' Issue #2
Pastels: your passport to passion

How to do such a great job with the foundations that you avoid problems all the way through.

Issue 2, Page 98
' Issue #64
Pastels. Stop Searching and Start Painting

In Part Five of his series, Master Artist Daniel Greene reveals his world famous method for organizing, finding and using particular pastel colors

Issue 64, Page 48
' Issue #151
Pathways

Harley Brown’s fascinating things no one else will tell you

Issue 151, Page 122 Read Article
' Issue #64
Patience, planning and practice

Ian Ramsay's best work is usually accomplished after much thought and patience has been given to his chosen subject. He likes to refer to this period of time as 'marinating'.

Issue 64, Page 54
' Issue #27
Patricia Watwood and the figurative tradition

Gordon Wetmore gleans insights from a member of the progressive avante-garde.

Issue 27, Page 32
' Issue #29
Pattern and texture

Find out about the icing on the cake.

Issue 29, Page 24
' Issue #104
Patterns of the Sea

In his close-up paintings of the sea, Alan Weston focuses on the forms and reflections

Issue 104, Page 80
' Issue #7
Paul Andrew, Patti Dyason, Barbara Siedle, Shelley Adams, Peter Hall and Mary Ellen Yorke

Issue 7, Page 90
' Issue #94
Paul Newton

The Story of a Once in a Lifetime Project Interview

Issue 94, Page 34
' Issue #128
Paying Homage

Australian artist Lance Ross honors the techniques of the past masters with compositions featuring their likeness

Issue 128, Page 62
' Issue #129
Paying it Forward

Teaching is a commercial option for a artist

Issue 129, Page 25
' Issue #157
Peaceful Places

Sara Linda Poly creates a sense of atmosphere and depth in her soft, ethereal landscapes

Issue 157, Page 54 Read Article Visit Gallery Website
' Issue #131
Pen & Ink: A Unique Medium

Ann Dyer's experiments with pen and ink have allowed her to create highly realistic drawings

Issue 131, Page 110
' Issue #155
People & Figures

All the Prize Winners in our International Artist Magazine Challenge No. 139

Issue 155, Page 6 Read Article
' Issue #146
People & Figures

All the Prize Winners in our International Artist Magazine Challenge No. 130

Issue 146, Page 6 Read Article
' Issue #67
People and every day things

Karl Jóhann Jonsson shares his thoughts on oil painting and portraits

Issue 67, Page 70
' Issue #4
People painting

"Portrait" is not a word this English painter likes.

Issue 4, Page 68
' Issue #145
Perception and Realization

Jamie Coreth

Issue 145, Page 34 Read Article
' Issue #70
Perfecting a Methodology that Works

Keith Cardnell's quest is to find a technique that will help him minimise chance in his work but also increase his production rate.

Issue 70, Page 76
' Issue #29
Performance art

This Russian-born artist tells how he uses lyrical line, color and light to capture the dynamism of the Bolshoi Ballet Company.

Issue 29, Page 120
' Issue #153
Perseverance and Aspirations

A Conversation with Paul Newton

Issue 153, Page 36 Read Article
' Issue #111
Perspective

John Lovett shares his simple approach to a complex drawing tool

Issue 111, Page 96
' Issue #141
Petals in Detail

Tanya Tuluzakova highlights the subtle sophistication of florals and botanicals using multilayering techniques

Issue 141, Page 70 Read Article