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Bob Brandt discusses two main elements that link painting and music
Issue 106, Page 94Taking a more symbolic, philosophical approach will give your paintings richer, deeper meaning
Issue 36, Page 40James Gurney shows how you can use drawing tools over a watercolor or gouache painting to add lines, details and texture
Issue 152, Page 28 Read ArticleAn inside look at the history, techniques and artists working in this traditional art form
Issue 133, Page 104E John Robinson's new book is the fruit of a lifetime spent painting seascapes
Issue 10, Page 140Ellen Buselli keeps her paintings fresh through careful observation and precise brushstrokes
Issue 131, Page 74The art of Maggie Caunt comes alive when she paints subjects she's passionate about
Issue 108, Page 88The signature style of Jane French’s portraiture is achieved through a mix of both sharp and loose brushwork
Issue 145, Page 70 Read ArticleMary Sauer talks with executive director of The Portrait Society of America, Christine Egnoski
Issue 88, Page 32James Gurney shows how rain can be a plein air painter’s best friend, but also their worst enemy
Issue 147, Page 28 Read ArticleTransferring the spontaneous qualities of on-site studies into your studio works.
Issue 14, Page 50In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 144, Page 120 Read ArticlePanoramas are best served by a staged working process and sound design decisions
Issue 127, Page 84In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 158, Page 116 Read Article Visit Gallery WebsiteIn every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 139, Page 104 Read ArticleIn every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 157, Page 166 Read Article Visit Gallery WebsiteIn every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 140, Page 104 Read ArticleThis artist becomes so absorbed with his creations that he loses all track of time
Issue 59, Page 98Steve Atkinson shares his tips and techniques for painting a nighttime scene
Issue 136, Page 66Working quickly between the semi-abstract and the real.
Issue 29, Page 94John Lovett provides tips on preparing and using a large panel in watercolour painting
Issue 101, Page 98The waterside city of Suzhou, inspires special dry-brush effects
Issue 6, Page 134In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 159, Page 116 Read Article Visit Gallery WebsiteIn every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 160, Page 120 Read Article Visit Gallery WebsiteGreg Hargreaves' abstract landscapes focus on a number of contrasts, including real versus abstract and man versus wild
Issue 137, Page 88From how to deal with bad weather to choosing the perfect colors to reflect the scenes.
Issue 46, Page 74If you want your figurative paintings to tell a story, adopt these techniques for working from life in acrylics.
Issue 29, Page 72Fred Wessel uses age-old techniques to render lifelike skin tones in her egg tempera works
Issue 100, Page 110Part 5: Painting with those 'pariah pigments' - black and white
Issue 11, Page 62To portray ideas in her paintings, Andrea Kemp uses elements and principles of design such as space, pattern, value, harmony and shape
Issue 97, Page 92In every issue of International Artist we will feature a Painting Workshop from one of New Zealand’s best artists.
Issue 142, Page 120 Read ArticleThis artist provides valuable tips forpainting whilst on vacation.
Issue 52, Page 92In every issue of International Artist we feature a Painting Workshop from Richard Robinson, one of New Zealand’s best artists
Issue 152, Page 114 Read Article Visit Gallery WebsiteJames Gurney discusses how to overcome shyness and deal with curious spectators
Issue 153, Page 30 Read ArticleEllen Fuller explains how to establish values using the grisaille technique
Issue 126, Page 86