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' Issue #75
Letter from the Publisher

Issue 75, Page 1
' Issue #85
Letter from the Publisher

Issue 85, Page 1
' Issue #13
Letter from the Publisher

Issue 13, Page 1
' Issue #21
Letter from the publisher

Issue 21, Page 1
' Issue #5
Letter from the Publisher

Issue 5, Page 1
' Issue #62
Letter from the Publisher

Issue 62, Page 1
' Issue #56
Letter from the Publisher

Issue 56, Page 1
' Issue #36
Letter from the Publisher

Issue 36, Page 1
' Issue #30
Letter from the Publisher

Issue 30, Page 1
' Issue #76
Letter from the Publisher

Issue 76, Page 1 Read Article
' Issue #4
Letters

Issue 4, Page 6
' Issue #3
Letters

Issue 3, Page 6
' Issue #25
Letters

Issue 25, Page 160
' Issue #2
Letters

Issue 2, Page 20
' Issue #1
Letters

Issue 1, Page 20
' Issue #20
Letters to the editor

Issue 20, Page 159
' Issue #19
Letters to the editor

Issue 19, Page 159
' Issue #18
Letters to the editor

Issue 18, Page 160
' Issue #17
Letters to the Editor

Issue 17, Page 160
' Issue #16
Letters to the Editor

Issue 16, Page 5
' Issue #23
Letters to the editor

Issue 23, Page 158
' Issue #165
Letting the Story Unfold

From exploratory sketches to specific details, Emma Rach-Syslak’s paintings gradually come to life on the canvas

Issue 165, Page 62 Read Article Visit Gallery Website
' Issue #132
Letting the Subject Lead

The focal point dictates the compositions in Nathan Fowkes' artwork

Issue 132, Page 86
' Issue #95
Leverage

Applying new business tactics may help magnify your efforts toward increased sales and interest

Issue 95, Page 23
' Issue #45
Li Hua Yin Yen Zhen Yang Zhu Wai Yi Moi Zhen Li Loi, Fo Zhen Ling, Wang Meng, Ke Zong Ye, Tai Zi

Issue 45, Page 66
' Issue #18
Life and luminosity with glazes

Discover how a controlled approach yields brilliant, glowing colors that look like they're been lit from within.

Issue 18, Page 54
' Issue #120
Life and Movement

Jenny Aitken advises on how understanding waves, tone and light on water creates a dynamic composition

Issue 120, Page 80
' Issue #116
Life Drawing

Daniel Maidman discusses techniques for drawing from life for quick studies and fully developed works

Issue 116, Page 50
' Issue #129
Life in the Landscape

Qasim Bashir feels the spirit of the landscape and creates a story through his paintings

Issue 129, Page 76
' Issue #99
Life on the Wild Side

Issue 99, Page 54
' Issue #155
Lifting Each Other Up

Chairman’s Letter

Issue 155, Page 26 Read Article
' Issue #165
Light & Bright

Balancing color, form and paint flow, Louise De Masi creates soft, vibrant paintings in watercolor

Issue 165, Page 90 Read Article Visit Gallery Website
' Issue #137
Light and Atmosphere

The luminist quality of Ray Ward's landscapes allows for drama, light and atmosphere to take center stage

Issue 137, Page 70
' Issue #149
Light as a Feather

Painting with transparent watercolors, Lorraine Watry captures the weightless characteristics of her avian subjects

Issue 149, Page 104 Read Article Visit Gallery Website
' Issue #17
Light through texture

The energy of texture and contrasting color.

Issue 17, Page 66
' Issue #157
Lightness and Grace

Marie Burke captures the delicate forms of flowers through a wet-on-wet approach

Issue 157, Page 102 Read Article Visit Gallery Website
' Issue #82
Like Being There: Capturing the Unseen

Transferring the feeling of the moment, from the artist to the beholder, is the motivation to paint for Martin Blanchett

Issue 82, Page 98
' Issue #164
Like Magic

Chairman’s Letter

Issue 164, Page 20 Read Article
' Issue #124
Limiting the Color Palette

Over the years, Cara Brown has refined her color palette to create more cohesive paintings.

Issue 124, Page 94
' Issue #113
Linda Gendall

Light and color

Issue 113, Page 78
' Issue #40
Linda Kemp, Sharon Lynn Williams, Tong Luo, Wayne Mondok, Brent Lynch and Marilyn Timms

Issue 40, Page 130
' Issue #115
Linda Kukuk

Inside scratchboard art

Issue 115, Page 114
' Issue #97
Lindsay Goodwin

Alla Prima Painting with "Shorthand" Colors

Issue 97, Page 106
' Issue #142
Little Details

Kristine Rapohina blends wet-on-wet and drybrush techniques to capture the unique surfaces of her botanical subjects

Issue 142, Page 76 Read Article
' Issue #141
Little Things

John Lovett illustrates that anything from a nearby park to your own backyard can be the subject of your next painting

Issue 141, Page 78 Read Article
' Issue #145
Living the Dream

Harley Brown’s fascinating things no one else will tell you

Issue 145, Page 124 Read Article
' Issue #21
London's Mall Galleries is home to nine leading art organizations

Issue 21, Page 55
' Issue #91
Look for Design in Nature

Karen Benco looks for the best view of any scene and works with Mother Nature in "re-designing" what she finds

Issue 91, Page 76
' Issue #30
Look for dramatic contrasts of light and shade

4 tips for identifying the correct tonal values.

Issue 30, Page 100
' Issue #74
Look for Inspiration First

Ilene Gienger-Stanfield trys to capture what initially attracted her to the subject so that viewers of her paintings can have that same experience.

Issue 74, Page 60