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' Issue #2
Letters

Issue 2, Page 20
' Issue #1
Letters

Issue 1, Page 20
' Issue #20
Letters to the editor

Issue 20, Page 159
' Issue #19
Letters to the editor

Issue 19, Page 159
' Issue #18
Letters to the editor

Issue 18, Page 160
' Issue #17
Letters to the Editor

Issue 17, Page 160
' Issue #16
Letters to the Editor

Issue 16, Page 5
' Issue #23
Letters to the editor

Issue 23, Page 158
' Issue #165
Letting the Story Unfold

From exploratory sketches to specific details, Emma Rach-Syslak’s paintings gradually come to life on the canvas

Issue 165, Page 62 Read Article Visit Gallery Website
' Issue #132
Letting the Subject Lead

The focal point dictates the compositions in Nathan Fowkes' artwork

Issue 132, Page 86
' Issue #95
Leverage

Applying new business tactics may help magnify your efforts toward increased sales and interest

Issue 95, Page 23
' Issue #45
Li Hua Yin Yen Zhen Yang Zhu Wai Yi Moi Zhen Li Loi, Fo Zhen Ling, Wang Meng, Ke Zong Ye, Tai Zi

Issue 45, Page 66
' Issue #18
Life and luminosity with glazes

Discover how a controlled approach yields brilliant, glowing colors that look like they're been lit from within.

Issue 18, Page 54
' Issue #120
Life and Movement

Jenny Aitken advises on how understanding waves, tone and light on water creates a dynamic composition

Issue 120, Page 80
' Issue #116
Life Drawing

Daniel Maidman discusses techniques for drawing from life for quick studies and fully developed works

Issue 116, Page 50
' Issue #129
Life in the Landscape

Qasim Bashir feels the spirit of the landscape and creates a story through his paintings

Issue 129, Page 76
' Issue #99
Life on the Wild Side

Issue 99, Page 54
' Issue #155
Lifting Each Other Up

Chairman’s Letter

Issue 155, Page 26 Read Article
' Issue #165
Light & Bright

Balancing color, form and paint flow, Louise De Masi creates soft, vibrant paintings in watercolor

Issue 165, Page 90 Read Article Visit Gallery Website
' Issue #137
Light and Atmosphere

The luminist quality of Ray Ward's landscapes allows for drama, light and atmosphere to take center stage

Issue 137, Page 70
' Issue #149
Light as a Feather

Painting with transparent watercolors, Lorraine Watry captures the weightless characteristics of her avian subjects

Issue 149, Page 104 Read Article Visit Gallery Website
' Issue #17
Light through texture

The energy of texture and contrasting color.

Issue 17, Page 66
' Issue #157
Lightness and Grace

Marie Burke captures the delicate forms of flowers through a wet-on-wet approach

Issue 157, Page 102 Read Article Visit Gallery Website
' Issue #82
Like Being There: Capturing the Unseen

Transferring the feeling of the moment, from the artist to the beholder, is the motivation to paint for Martin Blanchett

Issue 82, Page 98
' Issue #164
Like Magic

Chairman’s Letter

Issue 164, Page 20 Read Article
' Issue #124
Limiting the Color Palette

Over the years, Cara Brown has refined her color palette to create more cohesive paintings.

Issue 124, Page 94
' Issue #113
Linda Gendall

Light and color

Issue 113, Page 78
' Issue #40
Linda Kemp, Sharon Lynn Williams, Tong Luo, Wayne Mondok, Brent Lynch and Marilyn Timms

Issue 40, Page 130
' Issue #115
Linda Kukuk

Inside scratchboard art

Issue 115, Page 114
' Issue #97
Lindsay Goodwin

Alla Prima Painting with "Shorthand" Colors

Issue 97, Page 106
' Issue #142
Little Details

Kristine Rapohina blends wet-on-wet and drybrush techniques to capture the unique surfaces of her botanical subjects

Issue 142, Page 76 Read Article
' Issue #141
Little Things

John Lovett illustrates that anything from a nearby park to your own backyard can be the subject of your next painting

Issue 141, Page 78 Read Article
' Issue #145
Living the Dream

Harley Brown’s fascinating things no one else will tell you

Issue 145, Page 124 Read Article
' Issue #21
London's Mall Galleries is home to nine leading art organizations

Issue 21, Page 55
' Issue #91
Look for Design in Nature

Karen Benco looks for the best view of any scene and works with Mother Nature in "re-designing" what she finds

Issue 91, Page 76
' Issue #30
Look for dramatic contrasts of light and shade

4 tips for identifying the correct tonal values.

Issue 30, Page 100
' Issue #74
Look for Inspiration First

Ilene Gienger-Stanfield trys to capture what initially attracted her to the subject so that viewers of her paintings can have that same experience.

Issue 74, Page 60
' Issue #52
Look for the patterns

This artist found that for her finding a good composition was made easier by adapting the methods and principles of the tonalist painters.

Issue 52, Page 74
' Issue #51
Look to the good times for inspiration

Vacations are a ceaseless source of inspiration for this ar tist

Issue 51, Page 142
' Issue #127
Looking after Clients

How to find the best sales strategy for your prospective buyers

Issue 127, Page 25
' Issue #110
Looking for Brilliance

François Malnati strives to depict still life subjects in unusual and inventive ways

Issue 110, Page 114
' Issue #110
Looking for Brilliance

François Malnati strives to depict still life subjects in unusual and inventive ways

Issue 110, Page 114
' Issue #158
Looking to the Old Masters

Figurative realist Billy Seccombe reflects on how his artwork has been influenced by some of the biggest names in art history

Issue 158, Page 46 Read Article
' Issue #130
Loose Brushwork

Angela Moulton uses loose, fast and bold brushwork to make dynamic images

Issue 130, Page 68
' Issue #50
Loosen up now!

You'll have more fun creating your art if you stop trying to keep inside the lines.

Issue 50, Page 88
' Issue #94
Loren DiBenedetto

Compose a Natural Setup

Issue 94, Page 100
' Issue #43
Lorena Kloosterboer, Tom Swimm, Ann Self, and Joyce Lazzara

Issue 43, Page 41
' Issue #161
Lori Putnam: Intuitive response

Issue 161, Page 106 Read Article Visit Gallery Website
' Issue #116
Lorn Curry

In the details

Issue 116, Page 78
' Issue #27
Loryn Brazier, Adrian Gottlieb,Rich Nelson, Ernest Norcia

Issue 27, Page 38