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Making a change of Style in Your Art

Alex Powers ponders how and why he took the quantum leap of changing his style and how it has altered his art career

Issue 87, Page 76

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Making a Painting Work

As Christopher Pierce progresses through a painting he realizes new ideas and allows the piece to take its own course

Issue 96, Page 66

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Making a Plan

Before making the first mark, colored pencil artist Tanja Gant makes notes about her composition, colors and more

Issue 125, Page 112

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Making a Rough Plan

John Lovett demonstrates the importance of studying your environment before starting a painting

Issue 151, Page 94 Read Article Visit Gallery Website

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Making an Artistic Statement

Richard Long explains the role of energy in artistic expression

Issue 102, Page 88

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Making an Impact

Virginia Blackstock focuses on powerful designs that show the effect of lights and shadows

Issue 126, Page 96

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Making art the Italian way

Slow down, enjoy the creation process and make fulfilling connections through your art

Issue 37, Page 96

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Making Colors Pop

Watercolorist Joyce K. Jensen shares her methods for painting brightly colored compositions.

Issue 103, Page 108

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Making do

How to travel light, really light!

Issue 45, Page 98

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Making Goals

Each composition Sue Miller paints has specific technical goals to enhance the overall vision

Issue 136, Page 74

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Making lines talk

Fundamental to this artist's work is his passion for drawing.

Issue 5, Page 100

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Making marks

Favorite drawing tools, watercolor brushes and the marks they make.

Issue 41, Page 130

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Making Paintings from Drawings: Working in Edward Hopper's World

Issue 107, Page 44

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Making sense at last

Issue 15, Page 70

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Making Shapes Work for You

Insights from watercolourist John Lovett on how to modify and rearrange shapes

Issue 108, Page 110

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Making the case for photography

Photos can be an excellent tool.

Issue 15, Page 114

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Making the Most of a Life Class

Issue 100, Page 60

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Making the ordinary extraordinary

This artist wants you to know that colored pencils are much more than a drawing medium.

Issue 57, Page 44

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Making Waves

Chris Postle shares how to create impact with simple design, contrasts, and colour

Issue 125, Page 96

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Making Waves

Working both loosely and tightly, James Swanson captures a sense of movement in his water dog paintings

Issue 160, Page 70 Read Article Visit Gallery Website

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Making, Breaking and Bending Rules

Richard Rogers explores the many possibilities presented by acrylics in this new series

Issue 89, Page 110

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Making, Breaking and Bending Rules

Richard Rogers explores the many possibilities presented by acrylics in this new series

Issue 90, Page 114

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Making, Breaking and Bending Rules

Richard Rogers explores the many possibilities presented by acrylics in this series

Issue 91, Page 122

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Making, Breaking and Bending Rules Painting with Acrylics

Richard Rogers Explores the many possibilities presented by acrylics in this new series which creates challenges and makes difference 'rules' for each painting project

Issue 87, Page 104

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Malcolm Beattie watercolor essay

A showcase of work from one of Australia's leading watercolorists.

Issue 29, Page 138

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Manipulating a condition of light

14 points on getting started en plein air

Issue 7, Page 36

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Manolo Sanchez, Colette Pavillard, Raffaelle Ciccaleni, Fernando Massanet, Manolo Martin Bethencourt, Martin Lutz, Maryse Forget, Bob Pestman and Juan Galarza

Issue 10, Page 94

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Marc Chatov: An oil portrait

Issue 121, Page 44

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Marc Folly: Artisanal life

Issue 154, Page 104 Read Article Visit Gallery Website

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Maria Raczyńska: Keeping it fresh

Issue 156, Page 112 Read Article Visit Gallery Website

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Maria Sigova - Kasey Sealy - Kenji Fukuda - Estela Robles Galiano - Showcase - Arnoldo Diaz Anne Stahl - Kay Doyle - Trevor Newman - Pavel Goloviy - N Ingneeger-Meeuwsen

Issue 31, Page 140

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Marie Burke

Intricacy of nature

Issue 121, Page 104

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