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' Issue #9
Hoard instinct

How many exhibitions could you frame if you sold all the paintings you're hanging onto for emotional reasons?

Issue 9, Page 112
' Issue #93
Hodges Soileau

A demonstration in oil

Issue 93, Page 36
' Issue #86
Holistic Harmonizing of All Elements

Hunter Eddy shares his preparation, design and composition tactics for figure and portrait painting

Issue 86, Page 62
' Issue #124
Honest Portrayals

The paintings of Mario Robinson focus on the essence of the sitter as well as their universal truths.

Issue 124, Page 54
' Issue #37
Hong Kong Watercolour Society

Chan Cho Yan, Poon Chuen Har and Chan Yiu Lin

Issue 37, Page 15
' Issue #155
Honing Your Voice

Joseph Lorusso discusses exploring different mediums, navigating the business side of art and staying true to your passions

Issue 155, Page 22 Read Article
' Issue #121
Honoring Dedication to their Craft by Christine Egnoski

Issue 121, Page 35
' Issue #159
Hot-Blooded

Blending elements of realism and surrealism, figurative artist Anna Wypych’s paintings are dominated by vivid reds

Issue 159, Page 62 Read Article Visit Gallery Website
' Issue #53
How color can transform your landscapes

This artist positions color prominently in his technique and decision making process to the advantage of his intense, color-heightened landscapes.

Issue 53, Page 78
' Issue #6
How color masses determine the detail

How to mass in, then limit yourself to drawing only the most outstanding and interesting details

Issue 6, Page 74
' Issue #82
How Could Your Gallery Work?

Issue 82, Page 135
' Issue #39
How did you paint that?

Lyn Diefenbach, Ruth Eiring King, Timothy R. Thies, Marilyn Timms and Hye Seong Yoon

Issue 39, Page 122
' Issue #37
How did you paint that?

Our new series gives you behind-the-scenes insights from some of the best international artists working today.

Issue 37, Page 130
' Issue #22
How do you say flowers in Swedish?

With Paula Bachtiger Kling

Issue 22, Page 130
' Issue #46
How I captured the fleeting light England Effects of a blustery day in England

Issue 46, Page 102
' Issue #47
How I carefully plan my paintings in Spain

Issue 47, Page 86
' Issue #47
How I mastered the tonal aspect of painting in South Africa

Issue 47, Page 82
' Issue #57
How I paint my world

This artist explains the many advantages of painting in acrylics.

Issue 57, Page 28
' Issue #87
How Much is Too Much or Too Little?

Graeme Smith Should you Increase the frequency of your promotions to your clients and how should you pitch them?

Issue 87, Page 23
' Issue #48
How Paris worked its way under my skin and onto my canvas

How understanding the personality of a place can open the door to creating a visual narrative.

Issue 48, Page 36
' Issue #75
How Powerful are Guarantees?

Issue 75, Page 24
' Issue #6
How skies set the mood in a wildscape

It is not obligatory to stick to dull, lifeless colors in order to portray a sense of mood and wildness in a painting

Issue 6, Page 66
' Issue #18
How to become fluent in the language of color

You can mix virtually every color you need from 12 basic pigments and say anything you want.

Issue 18, Page 24
' Issue #1
How to build better paintings

How careful juxtaposition of values will guarantee excitement

Issue 1, Page 110
' Issue #35
How to conquer mediocrity

Observe the architecture of painting and you will not fall into bed with mediocrity

Issue 35, Page 52
' Issue #142
How to Create a Portfolio

Just like general college applications, each school or gallery may or may not have its own set of requirements. Check their website first, make sure you find and read it all, and then follow their guidelines in any order or format they suggest. OK, boring things aside, this is your place to shine and opportunities abound!

Issue 142, Page 26 Read Article
' Issue #47
How to create that mystical glow

Reveals the secret technique to create scenes with that special sparkle.

Issue 47, Page 76
' Issue #89
How to do Ink Wash Painting

Wei Tai show us a fresh technique by drawing upon tradition and exposure to many cultures

Issue 89, Page 68
' Issue #53
How to faithfully serve the best interests of coloured pencil

Gary explains what causes an artist to surrender to the allure of coloured pencil, the medium of perfection and control, and shows what happens when you do.

Issue 53, Page 28
' Issue #103
How to Get Into a Juried Art Show

Tips from Six Well-Known Jurors

Issue 103, Page 46
' Issue #22
How to grow as an artist

The benefits and rewards of experimentation and exploration.

Issue 22, Page 114
' Issue #41
How to keep control of your collage

This artist's invention allows a collage to be completely designed and then glued without losing the original composition.

Issue 41, Page 86
' Issue #142
How to Make Gradients

James Gurney demonstrates how to get your colors to change gradually throughout your picture

Issue 142, Page 30 Read Article
' Issue #27
How to make any pastel painting work

A strong foundation of shapes, with clear shifts in value and color temperature, is the secret to making outstanding pastel paintings.

Issue 27, Page 64
' Issue #31
How to paint indoors as if you are working on the spot

You have permission to make peace with the elements by working with photographs - but don't just copy your references.

Issue 31, Page 48
' Issue #51
How to paint moody cityscapes

Don't be driven to distraction with the bustling detail of a cityscape.

Issue 51, Page 118
' Issue #29
How to set a price for your work

Part 4: Buddy, can you spare a dime? Help for the tricky issue of working out what price you should put on your paintings.

Issue 29, Page 22
' Issue #76
How to Subscribe

Issue 76, Page 128
' Issue #43
How to subscribe

Issue 43, Page 128
' Issue #61
How to Subscribe

Issue 61, Page 128
' Issue #86
How to Subscribe

Issue 86, Page 128
' Issue #20
How to subscribe

Issue 20, Page 32
' Issue #12
How to subscribe

Issue 12, Page 32
' Issue #68
How to Subscribe

Issue 68, Page 128
' Issue #29
How to subscribe

Issue 29, Page 128
' Issue #69
How to Subscribe

Issue 69, Page 128
' Issue #55
How to Subscribe

Issue 55, Page 128
' Issue #77
How to Subscribe

Issue 77, Page 128
' Issue #60
How to Subscribe

Issue 60, Page 128
' Issue #19
How to subscribe

Issue 19, Page 32