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How many exhibitions could you frame if you sold all the paintings you're hanging onto for emotional reasons?
Issue 9, Page 112Hunter Eddy shares his preparation, design and composition tactics for figure and portrait painting
Issue 86, Page 62The paintings of Mario Robinson focus on the essence of the sitter as well as their universal truths.
Issue 124, Page 54Joseph Lorusso discusses exploring different mediums, navigating the business side of art and staying true to your passions
Issue 155, Page 22 Read ArticleBlending elements of realism and surrealism, figurative artist Anna Wypych’s paintings are dominated by vivid reds
Issue 159, Page 62 Read Article Visit Gallery WebsiteThis artist positions color prominently in his technique and decision making process to the advantage of his intense, color-heightened landscapes.
Issue 53, Page 78How to mass in, then limit yourself to drawing only the most outstanding and interesting details
Issue 6, Page 74Lyn Diefenbach, Ruth Eiring King, Timothy R. Thies, Marilyn Timms and Hye Seong Yoon
Issue 39, Page 122Our new series gives you behind-the-scenes insights from some of the best international artists working today.
Issue 37, Page 130This artist explains the many advantages of painting in acrylics.
Issue 57, Page 28Graeme Smith Should you Increase the frequency of your promotions to your clients and how should you pitch them?
Issue 87, Page 23How understanding the personality of a place can open the door to creating a visual narrative.
Issue 48, Page 36It is not obligatory to stick to dull, lifeless colors in order to portray a sense of mood and wildness in a painting
Issue 6, Page 66You can mix virtually every color you need from 12 basic pigments and say anything you want.
Issue 18, Page 24How careful juxtaposition of values will guarantee excitement
Issue 1, Page 110Observe the architecture of painting and you will not fall into bed with mediocrity
Issue 35, Page 52Just like general college applications, each school or gallery may or may not have its own set of requirements. Check their website first, make sure you find and read it all, and then follow their guidelines in any order or format they suggest. OK, boring things aside, this is your place to shine and opportunities abound!
Issue 142, Page 26 Read ArticleReveals the secret technique to create scenes with that special sparkle.
Issue 47, Page 76Wei Tai show us a fresh technique by drawing upon tradition and exposure to many cultures
Issue 89, Page 68Gary explains what causes an artist to surrender to the allure of coloured pencil, the medium of perfection and control, and shows what happens when you do.
Issue 53, Page 28The benefits and rewards of experimentation and exploration.
Issue 22, Page 114This artist's invention allows a collage to be completely designed and then glued without losing the original composition.
Issue 41, Page 86James Gurney demonstrates how to get your colors to change gradually throughout your picture
Issue 142, Page 30 Read ArticleA strong foundation of shapes, with clear shifts in value and color temperature, is the secret to making outstanding pastel paintings.
Issue 27, Page 64You have permission to make peace with the elements by working with photographs - but don't just copy your references.
Issue 31, Page 48Don't be driven to distraction with the bustling detail of a cityscape.
Issue 51, Page 118Part 4: Buddy, can you spare a dime? Help for the tricky issue of working out what price you should put on your paintings.
Issue 29, Page 22